oil on aluminum
4.25″ x 3.25
Remember when I said I had a dozen more mock up’s for rabbit paintings?
Thanks to Nicholas Dorman, painting conservator at the Seattle Art Museum, I was able to squeeze a few more paintings of rabbits into my busy schedule last year. As you may know, I currently split my studio schedule equally between personal and commissioned artworks and these paintings were a combination of the two!
The paintings were commissioned for his wife, whose maiden name is Rabbitt and their two children, whose middle names are also Rabbitt! I sent him all of those rabbit mock up’s that were on the back burner while I was working on a new monthly miniature project and he picked his favorite three. I feel so humbled and honored that he wanted to add some of my paintings to his collection when he gets to travel the world with the museum to conserve so many amazing paintings.
Setting Sail, pictured above, was inspired by a pose my rabbits struck in the studio. I like thinking of this one personifying Nick and his wife contemplating their adventures. Nick’s art history background influenced the other two paintings he chose for his son and daughter. The paintings were inspired by historical works by Hans Hoffmann and Matthias Withoos. I replaced Hans Hoffman’s hare and Matthias Withoos’s mushroom with my house rabbits who share the art studio with me.
Take a look at my Monthly Miniature: Rabbits gallery to see my rabbit miniatures.
A Rabbitt in the Forest, after Hans Hoffmann, oil on aluminum, 4.25″ x 3.25″
A Forest Still Life, after Matthias Withoos – March, 2016, oil on aluminum, 4.25″ x 3.25″
Thanks so much! I love the paintings…They really are beautiful.
From his wife:
We absolutely love the rabbitt (rabbit) paintings! Thank you so much!
Oliver, oil on copper, 2.25″ x 2.25″
What could be a more perfect gift for someone you love, but a miniature painting of someone they love?
Many of my commissioned portraits are given as gifts. And while I enjoy creating each and every painting I make, those made for an unsuspecting recipient are made with an extra element of excitement and joy in the air. The charming Oliver was carefully captured in oils as a gift for his owner’s birthday. His owner’s sister, who commissioned the painting, was a big fan of Ollie, and I’m very grateful for the commission.
See the pet portrait miniature of Oliver’s first coat of paint in one of my On the Easel blog posts featuring works in progress. I work in a traditional lean to fat method that ensures my paintings will survive for hundreds of years and this first thin coat is essential to the process. To see more finished paintings, please take a look at my pet portraits gallery and my human portraits gallery. And if you’re interested in commissioning a portrait for of your own, take a look at my commissions page to learn my process and contact me to get started!
“I LOVE him!!!! Ollie looks perfect. Thank you Rebecca for all your patience and guidance. You are a talented artist with a true eye. And best of all I KNOW my sister will love it! It’s a given….”
And here’s what her sister posted in Instagram:
Lucy, oil on aluminum, 3″ x 4″
The portrait painting of the white Labradoodle, Lucy, has made it’s 2,000 mile journey in time for Christmas
I enjoy the searching process in a commission: finding out what my patron likes in my work, how they see themselves or their loved one, how I see them, and how I can portray that. The back-and-forth collaboration that finally materializes in a painting is such a rewarding experience, and I am so thankful for each person who gives me the opportunity to do such satisfying work.
I absolutely love it! Thank you so much. I can’t wait for my parents to see it!
Later she let me know that her parents loved it too. Thank you, Carrie!
Creating a pet portrait that communicates its personality is often a collaborative process with the owner that knows and loves them best.
Leo was an ideal model for a pet portrait painting. He’s a very sweet and patient kitty that loves to be photographed. I spent an evening with him and took dozens of photos and I thought I had several that captured his happy personality. But for Liz, his owner, there was something not quite right, though we couldn’t pin down what. Two months later, Liz sent me more images of him, showing a very different kitty. His coat changes throughout the seasons, and it was now in full fluff! This was her Leo.
Leo, take one
It’s often hard to describe the little details that express the personality of a loved one, but you notice when it’s not there. Most artists have you approve the final design before they being painting and if somethings doesn’t seem right, don’t hesitate to let the artist know. It’s much better to rework the initial design than have an unhappy patron.
Want to learn more about the painting process? Take a look at the underpainting for Leo and see more detail and in-progress images on Instagram. And if you look closely in the wood chips, you’ll find a little friend hiding on a leaf.
Please take a look at my commissions page for information about commissioning your own portrait and visit the pet-portrait and portrait gallery to see more examples of past commissions.
Shiloh, oil on aluminum, 18″ x 12.5″
This painting of Shiro marks several firsts for me. The subject of my first blog post, the first painting completed this year, and the first painting I ever made of a horse.
The Portrait of Shiloh is finished, complete with a coat of varnish and frame. I love painting animals, and though we had five horses when I was a kid, this is my first painting of a horse. He is all ready to ship out 2,000 miles away to Ohio. I’ll miss having those sweet eyes in the studio!
Thank you, Lisa for having confidence in my abilities to capture your very special friend!
Go to the pet portraits gallery to see more examples.