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Strawberry still life painting for June Monthly Miniature

I have a quarter acre garden, and strawberries are one of my top crops. This month’s strawberry still life painting features my June Bearers (one of two types of strawberries). At the height of my amateur gardening career (before having my son), I picked three quarts every day for a month! If you knew me then, you ate my strawberries.

Now that Isaac is three, I have more time to spend in the garden. The strawberries are slowly making a comeback after some intensive weeding (come by if you want some!). I wanted this painting to be a bit of an overload of warm colors, with slight touches of green. Pairing strawberries with this Japanese bowl from the SAM collection and a Painted Lady Butterfly did the trick.

This bowl is perfect, not only for its colors, but also because the imagery is relevant for this series. The bowl was made around the same time as the famous Dutch still life paintings that inspired the In Season Monthly Miniatures, and the Japanese artist has depicted European traders, very likely Dutch. The figures are as exotic to me as they likely were to the artists who first painted them.

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Detail of Miniature oil painting of strawberries and Japanese porcelain on copper by Rebecca Luncan, 5" x 5"

Read the text by SAM’s former Curator of Asian Art, Yukiko Shirahara, to learning more about the porcelain bowl:

“Southern Europeans, primarily Portuguese and Spanish, arrived in Japan in the 16th century. The Japanese called them nanban, or “southern barbarians,” because they came through a maritime route from the south. The term nanban, however, was used to refer to almost anything foreign in 16th- and 17th-century Japan. Images of Europeans proliferated in response to the curiosity of all things foreign, and became common motifs to adorn ceramic wares such as these bowls.

European figures were popular motifs in Japanese art during the Edo period, particularly representations of the Dutch (called komo: “red-haired people”) because of their direct contact with Japan through trade during a time of national isolation. It was the Dutch East India Company that exported Japanese products, including Imari porcelain, to Europe. Dutch motifs were favored not only for exports but also for the domestic market, to satisfy the Japanese taste for exoticism and curiosity about Western culture. The familiar design of “five-ships,” depicting five Dutch vessels with Dutch figures, is the best example of the popular theme, which appeared from the eighteenth century onward.”

Detail of Miniature oil painting of strawberries and Japanese porcelain on copper by Rebecca Luncan, 5" x 5"

Detail of Miniature oil painting of painted lady butterfly on copper by Rebecca Luncan, 5" x 5"

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Miniature oil painting of Birds of the Pacific Northwest

For the Month of May, I’ve made a still life painting of birds of the Pacific Northwest. I’m paying tribute to the painter George Flegel. He was born in what is modern day Czech Republic and did his training in Austria and Germany but ended up in Holland in the early 1600’s. His strange compositions, bursting with life are a study of technical perfection. I love how he incorporates birds in his still life’s in such a natural way. Between looking at his paintings, spending more time out in the yard, working on chicken paintings for a show in August, AND having a Stellar’s Jay nest in the eaves right outside my bedroom window, birds have been on my mind lately.

George Flegel, Still Life of Birds and Insects 1637

George Flegel, Still Life of Birds and Insects 1637

I’ve made a painting that is heavily inspired by one of his most unusual composition filled with birds and insects. I’ve chosen birds and insects that can be found in my backyard in the Seattle area. My dad always knew what birds were in the yard when we lived in the farmhouse in Ohio. I never studied them enough to be encyclopedic about the different species like he was and I had trouble identifying the different little brown ones. My friend, Chris Keenan (who also helped identify the nest in last months painting) helped me figure out more species than could possibly fit into one painting. I did my best, though!

In this Months Painting:

I have 8 birds in the 5″ x 5″ painting; American Crow, American Robin, Anna’s Hummingbird, Dark-Eyed Junko (Oregon), Northern Flicker, Plaited Woodpecker, Red-Breasted Nuthatch and a Stellar’s Jay. Insects are: Darkling Beetle, Painted Lady Cocoon and Butterfly (did you find the Caterpillar in last months painting? They transformed!), Grasshopper, and a Pholcid House Spider (also called a daddy long-legs). Also included: black sunflower seeds and a Blue Flag Iris I plucked the from the garden.

Detail of Miniature oil painting of birds on copper by Rebecca Luncan, 5" x 5"

Detail of Miniature oil painting of birds on copper by Rebecca Luncan, 5″ x 5″

It was incredibly challenging to figure out such a complicated composition. Getting that many birds in there, meant I had to paint them at a very small scale. I have some detail images below to help you get a sense of the size of this painting. It took a lot of careful consideration to try to make the painting look right upon careful close inspection, but also from even a short distance away. Some of the details are lost, even from two feet away!

I hope you enjoy this painting as well as your own backyard birds! Go to my Monthly Miniatures page to see all of the paintings in this series. And join my mailing list for a Monthly Miniature Preview, to get a chance to purchase them before before they go for sale on the website, and to see what’s new in the studio.

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April Bouquet Miniature Floral Painting

Spring has officially sprung and i hope that my newest Monthly Miniature floral painting reflects that. You may have noticed that my first four paintings in this series all have a slightly different feel (see them all on the Monthly Miniature page). Part of the change is the increase in plants and insects awakening to populate each months painting, and for April, I wanted to pack the painting full of new lush blooms. I have included seven types of plants (some in different colors), three insects and the nest of a Dark-Eyed Junco that my husband found in our yard. You can find a complete list at the end of this post.

In addition to changing the subjects in my paintings, I’m also changing how they are composed. For each of my twelve miniatures this year, I’m studying a different master of still life paintings from Northern Europe (1600-1800). I’ve long admired paintings from this era and this series is giving me the opportunity to luxuriate in the detailed little worlds created by so many different artists. See the inspiration behind all of the “In Season” miniatures in previous posts.

Abundance of blooms: Gerard Van Spaendonck

Flower still Life, oil on canvas, 22.5″ x 16″

Gerard Van Spaendonck (1746 – 1822) was an influential Dutch painter, who settled in Paris early in his career. He is known for his fabulously dense oil paintings filled with a wide assortment of flowers and a variety of other living creatures. Gerard was a master at creating an explosion of color and texture.

I’m generally drawn to simple compositions, but I wanted to go in a different direction with this painting and he was the perfect muse. I’ve been excited to change the subjects of each Miniature and highlight what is currently in season. It’s been an interesting challenge to also think of creating a mood that is reflecting the sparsity or abundance of things available as well. I have each month sketched out for the rest of the year already!

I carefully choose each of my blooms, but heavily referenced his composition from the painting, “Flower Still Life”. My plants came from a variety of places; some I found online, others were purchased, and some I picked from my garden which is starting to explode! The Seattle Growers Market is a great resource, with public hours on Fridays, 10 am – noon. I took photos and mixed everything together on the computer for the composition (Pixelmator for Mac). I posed as much as I could in a Frankenstein taped up heap to reference from life but used my digital mock up as a primary reference for plants. The birds nest with egg and caterpillar were painted solely from life (my three year old son got caterpillars for his birthday!)

What’s in my painting?

Birds and Insects:

Bumblebee
Housefly
Painted Lady Caterpillar
Dark-Eyed Oregon Junco nest and egg

Plants:

Anemones – white and yellow
Euphoria
Grape Hyacinths
Kale

Ranunculus – red, white and pink
Salal (leaves)
Tulips – rainbow parrot, flaming white parrot,  Absalom, mint green parrots

 

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Still Life Paintings in Group Show “Going Dutch”

When I was starting my Monthly Miniature still life paintings last January, I got a serendipitous invitation from curator Jeremy Buben. He operates The FoodArt Collection and was putting together a show of still life’s and tuliperies inspired by still life’s of the Dutch tradition and tuliperies made in the 1600’s. I happily accepted the invitation to be one of the artists.

The show hosts a great mix of styles and mediums, each artist creating lush, elegant pieces. And you don’t often get to see tulipieres! A tuliperie or tulip-holder is an ornate vessel made specifically to display tulips. They were common during the 17th c and were often designed to grow the bulbs right in the vase. I hope you’ll get the chance to stop by the gallery to see all of the pieces in person. If you can’t make it, you can go to the gallery website and see all of the pieces from the exhibit online.

Flowers, Bird's Nest and Insects, still life oil painting by Rebecca Luncan

Flowers, Bird’s Nest and Insects, oil on copper 5″ x 5″

Opening Reception: Sunday April 28, 2-5pm
Shows up through the month of May, with Sunday hours and by appointment.

From the gallery:

“The FoodArt Collection is thrilled to present a group art show of tulipieres (tulip vases) and Dutch Golden Age inspired still lifes from seven local artists.

A brief explanation: upon returning from a holiday in Holland I became obsessed with the tulipiere, a strange and fantastical vase designed specifically for tulips. To my delight I learned that local ceramic artist Carol Gouthro shared the same interest and had even curated a tulipiere show just a few years earlier at the Museum of Northwest Art (MoNA) in La Conner. When the chance to put together this show came about I reached back out to Carol and asked her if she’d like to make her first tulipiere and show it alongside art inspired by the Dutch Golden Age. A few more invites went out and thus Going Dutch was created.

I’m excited to share my passion for tulipieres, a very useful vase in my opinion, and gorgeous classical inspired art from some extremely talented local artists! Please join us for the opening this Sunday and see these tulipieres for yourself. There will also be a healthy amount of Samish Bay cheese to eat.”

Tulipieres from:

Carol Gouthro
Lois Harbaugh
Terry Siebert

Visual Art from:

Michael Doyle
Rebecca Luncan
John Rizzotto
Jennifer Zwick

Facebook Event Page: Going Dutch

For Details and Directions click HERE

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Finding inspiration in art history: Adriaen Coorte

For latest painting in my series of Monthly MIniature’s I painted a bowl of brussels sprouts inspired by the works by Adriaen Coorte (ca. 1665 – after 1707).

With each of these paintings, I learn more about the Northern European still life tradition and I was drawn to the simplicity of Adriaen Coorte’s compositions. Because of my classical art training and experience of working at an art museum, I can usually identify the artist or at least the era in which a painting was made. Adriaen Coorte’s paintings are easily identifiable in the genre of Dutch Still Lifes because his paintings are unusually unpretentious. Many painting from the era have extravagant compositions, featuring priceless (at the time) tulips with a riot of color. By contrast, his painting are quiet and incredibly tender.

His painting of a bowl full of strawberries became the inspiration for my painting of brussels sprouts. I chose a bowl from the collection of the Seattle Art Museum, where I work part time, and picked brussels sprouts from my garden (just about the only thing in the garden in February!).

Learn more about my painting, “Brussels Sprouts and Porcelain Bowl” in an earlier blog post and see all of the paintings in the series on the Monthly Miniature gallery page. You can also sign up for my newsletter to see each painting right when they are finished and get the first opportunity to purchase, a day before it goes public on the web site.

Adriaen Coorte, Wild Strawberries in a Wan Li Bowl, Oil on paper, mounted on wood, 11 5/8 x 8 7/8

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Monthly Mintiaure: In Season, Still life painting of Brussels Sprouts and Porcelain Bowl

I’ve always loved Art Museums and have been working at the Seattle Art Museum for 13 years. It seems as though I’ve gotten to install paintings by just about everyone that has graced an art history book with my own two hands. It’s been inspiring to see the works up close, but it’s also wonderful to work with so many other artists who help contribute insight into the work at the museum and my own artwork. It was actually a SAM exhibition that rekindled my love of Dutch still-life paintings, “European Masters: The Treasures of Seattle”.

My first year at the museum was spent just making mounts for the porcelain room. Because of my connection to SAM, including porcelains in this series feels natural. I’ve chosen to include this exquisite 16th century Jingdezhen-ware porcelain bowl from SAM’s collection. It’s perfect for the month of February. It features “three goats (yang) and the Three Friends of the Cold Season (pine, blossoming plum, and bamboo) all carrying a message of renewal appropriate to the beginning of the new year. Winter ends and spring arrives; yin is on the wane and yang is on the rise, heralding the rebirth of nature.”

I chose to make this month’s still life painting of Brussels sprouts for two reasons. I love that the vegetable is named for a city in the region where these paintings reached their maturity, and they are one of the only vegetables growing in my yard right now (the rabbits love them!).

See more Monthly Miniature paintings from this and past series in the Monthly Miniature gallery.

 

Brussels Sprouts and Porcelain Bowl still life painting oil on copper by Rebecca Luncan

 

Brussels Sprouts and Porcelain Bowl detail still life painting oil on copper by Rebecca Luncan

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Influences Abound: Jacob Marrel Floral Paintings

The paintings in my new Monthly Miniature series “In Season“, are inspired by still life paintings from Northern Europe that were at their prime from around 1600 – 1800. Each painting is influenced by a different artist from within the genre. My first painting in the series is inspired by the German artist Jacob Marrel. He primary made floral paintings and you can almost always find an insect somewhere in his work. He studied still life painting in Utrecht under Jan Davidsz. de Heem who is a major representative of that genre in both Dutch and Flemish Baroque painting. Later Jacob taught painting to his own students including his stepdaughter, Maria Sibylla Merian, who became a scientific illustrator and one of the premier entomologist (scientist who studies insects) of her time.

Paintings from this genre can get quite complicated both in composition and in subject matter. Marrel could compose an intricate composition to rival the best of them, but I was drawn his paintings with only insects and flowers. This fit the mood I was wanting for my first painting in the series. Since this series will only feature produce, flowers and insects that are in season, I wanted to start simply to demonstrate how sparse it is in winter. Look carefully at Joseph Marrel’s painting below and you will find my simplified take on his composition.

Please visit an earlier blog post for an introduction to this series. You can also find previous Monthly Miniature series by scrolling down on the Monthly Miniature page.

Jacob Marrel artist known for floral paintings, "Still Life With A Yellow Iris, A Parrot Tulip, A White Rose And Insects On A Wooden Table Ledge" oil on Canvas.

Jacob Marrel, “Still Life With A Yellow Iris, A Parrot Tulip, A White Rose And Insects”, oil on Canvas.

Season’s Greetings!

Season's Greetings Rabbit greeting card

 

Happy Thanksgiving Everyone!!

It’s been easy to forget all the good that there is in the world when I’m plugged into the computer, but I’ll spend my Thanksgiving offline, appreciating my little slice of happiness with my family. I wish you all health, wealth and happiness, and as much joy as I felt today, watching my (almost) eight-month-old son take his very first steps!

Now go to the store and order some of my new holiday cards, and send a bunny to someone you love. 🙂

Memorial Portrait: An Unexpected Loss

The White Rabbit, Oil painting miniature by Rebecca Luncan

The White Rabbit – September 2016, oil on copper, 4″ x 4″

A Memorial Portrait: The passing of Ellie

My Ellie passed away quite suddenly this past month. The vet saw her for an eye irritation but found nothing too concerning, just a tiny scratch on her eye. But Ellie died the very next evening. We don’t know why she died so suddenly, but we miss her.

It’s a sad thing, but having so many animals in childhood helped teach me to be thankful, that death doesn’t diminish the gifts of life. Ellie was a sweet friend to her brother Charlie, and I’ll miss her hopping around the house, and snuggling at my feet while I paint. She was a great muse, and it comforts me that I was painting her portrait when she passed for the Monthly Miniature – Into the Country series.

We kept one early painting of Ellie for ourselves, and I’m glad we did. A portrait has a freshness and a life of its own that makes the subject feel close, that keeps them alive and well in our hearts. It’s a hard thing to explain why a painting should feel more significant than, say, the photo it’s based on, but I think it’s the care put into making it. Because it’s a totally unique object, we give it meaning.

Please enjoy the newest painting of Ellie and join me in remembering her fondly. You can find more paintings of her in the Monthly Miniature – Rabbit’s series.

Rest in peace little Ellie! You will be very missed.

The Artist’s Magazine 33rd Annual Art Competition

Reclining Rabbit oil painting miniature by Rebecca Luncan

Reclining Rabbit – November 2015, oil on aluminum, 4.25″ x 3/25″

“Reclining Rabbit” selected as finalist in Artist’s Magazine annual art competition

I didn’t win the top prize, but it’s still nice to be selected as a finalist from among 7,300+ entries. A selection of finalists will be featured in online and print publications in the coming months, and all of the finalists will be announced in their January/February 2017 issue. I look forward to seeing the line-up, my congratulations to everyone selected!