Lucy is special one. People would see this cat pet portrait painting on the easel and just fall in love.
Portrait of Lucy
5.25″ x 3.75″
oil on aluminum
But this portrait commission started off a little differently than usual. Lucy was commissioned as a graduation gift from mother to daughter. Instead of opening a box and finding a painting, Taylor opened an envelope and found a gift voucher for a custom portrait of her Lucy.
Most paintings don’t start this way, I think because people like to present a finished painting for a gift but part of the fun of commissioning a custom portrait is dreaming up ideas, then looking through the mock-up proposals and seeing the painting develop. We looked through images together in my studio, figuring out both the composition and the perfect antique frame for the painting. Taylor had a strong instinct for which elements really said “Lucy,” and when the design was finalized we were all excited to see it take shape!
I am so happy with how Lucy turned out, please continue reading Taylor and Drindi’s testimonials below and see my gallery of portraits on the Pet Portraits page.
Oh my goodness. You did such a great job capturing her. So exciting. I admire your commitment to your passion and you are so good at it. So I hope your art work continues to be a priority for you – certainly brings so much joy and beauty to our world.
I have said this to my mom several times now, but wanted to officially say to you how much I absolutely love and adore my painting of Lucy. It gives me so much joy and captures her spirit and personality so perfectly. It’s truly one of those few things I would save in a fire (hopefully that’s never the case) but you get the gist – I will treasure it forever.
Sarah and her aunt commissioned me to make this pet portrait of Ruby as a gift for Sarah’s parents. Sara is my husband’s best friend, she was the “best man” in our wedding, and I absolutely adore her. I never got to meet Ruby but I’ve heard lots of stories about her. Though it’s been years since she passed, she is still missed by those that knew her. I put a lot of care into each painting I make, but knowing the family personally, knowing firsthand how much Ruby was loved, really reinforces my mission of creating these paintings with a sensitivity to the bond between people and their animal friends. You can see the love that Ruby gave back to her family in her happy smiling face. I hope the painting brings them all much joy. Please take a look at my Pet portraits gallery to see more examples of my work.
A Painting More True to Life than a Photograph
This painting evokes Ruby’s puppy-like zeal the way only an original painting can. Since it’s painstakingly created layer by layer, I’m able to pay careful attention to all the details that make Ruby “Ruby”. Sometimes these details even get missed by the camera. The main image I used for the portrait showed Ruby’s eyes to be dark brown. But in the other images, and in everyone’s memory, her eyes had a golden glow, which I worked to capture. Though I can sometimes get all of the information I need with just one image, working with several and getting lots of feedback is important to my process.
I had the added honor of witnessing the happy couple unwrap Ruby’s portrait. People often write that seeing their portrait for the first time brought tears to their eyes, but seeing them both burst into happy tears was a special moment for me. See them below in a photo taken by Sarah, with the framed portrait of Ruby.
From the Family
You are a very talented artist and you captured the heart and spirit of our wonderful four-legged sweetheart, Ruby. We really love the painting. Thanks again, very much.
Doug, Gloria & Sarah
Clark worked hard to make this pair of portraits happen! They were an anniversary gift, and getting all the old photos of Jackson scanned and mailed in secret took time and cunning. Clark was up to the task though, and he supplied me with lots of great images. Although we talked at first of painting Jackson as an adult, he sent me a few pictures from his puppy stage as well. I couldn’t resist mocking up a puppy portrait—the images were too adorable! Clark was tempted too, and instead of one portrait, he commissioned two paintings, each from a different stage in Jackson’s life.
Framing the Portraits
“Jackson as a Puppy” oil on copper, 6″ x 6″
I sent Clark a selection of frames to choose from and he picked a 1 1/2″ wide natural wooden frame. The color brings out the warmth of Jackson’s Golden Retriever silky coat, and the pair of portraits look great together. Take a look at my Pet Portraits Gallery to see more examples of my work, and visit the Commissions page to learn how to commission your own pet portrait oil paintings.
Portrait of Jackson
oil on copper
6″ x 6″
My latest pet portrait painting is of a hound dog named Owsley. Mason contacted me a month before Julianne’s birthday and he wanted to surprise her with Owsley’s portrait. It was too late to finish it in time, so we put it in the schedule for the following year. Mason was able to look through photos with Julianne and get a good idea of what kind of a portrait she would like. And because it was scheduled so far out, it was still a bit of a surprise when he gave her the painting. We did a formal portrait for Owsley in the Dutch tradition, similar to my Into the Country Monthly Miniature series.
Portrait of Owsley, oil on copper, 3″ x 3″
Antique Picture Frame
I gave Mason the option of using either a newly manufactured frame or using an antique hand finished one. He choose to go with one of the antique solid wood circular frames from the 1920’s. Thanks to my sister in Cincinnati, I have a bit over a dozen of these beautiful unfinished frames that came from the Castner Picture Frame Company. They were primed, and then stored for almost a hundred years when the frame manufacture went out of business. Each one is carefully matched with a portrait and then it receives its long awaited finishing coats of paint. Finding miniature solid wood frames with such a classic design is almost impossible today. And though I do still have a dozen of these frames left, I’m always on the look out for more. It’s like finding a little treasure to surround the portrait of someone you treasure.
Contact me to see what antique frames are available for your custom portrait and learn about the commission process on the Commissions page.
Finishing up my latest Monthly Miniature of Olwyn Marsden, I thought it would be fun to see a portrait I painted of her when she was little, along with portrait paintings of her parents and don’t forget the dog! Nippy has sadly passed, but his joy of car-rides lives on. All of these paintings are in the Marsden collection. Go to Tim Marsden’s website to see his artwork.
Transfiguration 20, Mother & Daughter
oil on rotating copper panels (double sided painting)
7.5″ x 5″ x 3.5″ (framed)
oil on rotating copper panels (double sided painting)
7.5″ x 5″ x 3.5″ (framed)
Nippy, Oil on aluminum, 5 1/4″ x 9 1/2″
The portrait paintings of Tim, Sandy and Olwyn are from a series of interactive paintings. The viewer can spin a small knob at the underside of the shadowbox frame and spin the image to view another painting on the other side. You can see more of these paintings in my interactive painting gallery.
The portrait of Nippy was a finalist in the 2016 ARC Salon Competition.
Portrait commissions can be “animals” of all sorts
I am always up for a challenge, so when I was approached about painting stuffed animals, I didn’t hesitate to say yes. I knew the subject matter would present new challenges, but it was such a sweet idea. And it was a challenge indeed! Polly was easy to compose, but Mama & Papa Duck took two photo shoots and numerous mock ups before it finally all came together.
The paintings are gifts for the two children who befriended and loved these stuffed ducks. Through the love and infectious imagination of children, these special ducks became living beings for everyone in the household. These two sweet and quirky portraits capture this fleeting and precious time of childhood.
Mama & Papa
oil on aluminum
5″ x 7″
Portrait of Polly
oil on copper
3 1/2 x 4″
If you’ve got an idea for a commission, please don’t hesitate to contact me. I welcome ideas for artwork of all your loved ones (paintings of toys included!). Take a look at my commissions page for more information about my process. Also, please take a peek at my recent black cat pet painting, Portrait of Tank, a painting of the beautiful black cat that is also part of this lovely family.
This makes my day!
I love (them) so much they brought a little tear to my eye 😉
Portrait of Robbie
oil on aluminum
16.75″ x 15″
“Portrait of Robbie”
It was a lovely Seattle day when Robbie sat (in a tree) for his portrait painting. Robbie was patient and sweet and easy to work with, and the reference photos came out beautifully. I was thankful that it started off so well, as it was among the most challenging portrait commissions I’ve painted.
Traditional oil portrait painting technique sees me through again
It took flexibility and patience to finish this commission the way I imagined it, and without years of experience, I could have been tempted to call it done early. With the wide variety of textures in this portrait, the challenge was to paint each texture at the right level of detail to keep the eye moving through the painting without distracting from Robbie. I also experimented a lot with composition, moving major elements of the background during planning stages and early on in painting.
With so many different areas to work on, the confidence in the process of painting by layer kept me from getting ahead of myself. It’s not an accident that the same process helps keep color consistent. For instance, the second coat of paint for the sweater took four different painting sessions (having a one year old son has reduced my painting sessions to around two hours). The next two coats were thin glazing layers and each layer was finished during one painting session. That meant I was able to add highlights, shadows and more texture to the entire sweater with the same mixture of paint and not have to keep remixing days later. Similarly, finishing one entire layer before moving to the next layer, allows the whole painting to have a consistent look. As a bonus, painting in layers is a necessary part of fat-over-lean painting, which helps prevent cracking over time.
Thanks to Amy and Robbie for the wonderful experience
With all this talk of challenges, I want to say that I am so thankful for the opportunity to make this portrait painting. The color palette, composition and facial expression all came together in a tapestry of textures to find Robbie, with his budding confidence and thoughtful gaze. Amy was a pleasure work with, and Robbie made a wonderful subject both to photograph and to paint. Thank you both for the honor and opportunity.
It was lovely to see your studio and where all of your creative energy flows yesterday. I have hung the portrait… and it is wonderful. Thank you again, and know that I am plotting the next commission.
If you are new to my site, please visit my Gallery to see more examples of my work. Visit the Portrait Commissions page to learn how to have a portrait painted just for you.
Family Portrait of Heather, Courtney and Olivia, oil on aluminum, 6″ x 4.75″
Inspired by a 17th century artwork through 21st century social media
I’m always on the lookout for new ideas not only for what I’m painting, but also for framing. When Richard Christie, picture framer of the Cotswolds in the UK, posted an image of a painting on Instagram, I gasped aloud. I had been debating how to frame the miniature family portrait painting above and I instantly knew this was “The One!”. My delight was due to a beautiful frame worthy of a truly spectacular little painting (pictured below) of “A Winter Scene with Skaters near a Castle”. Painted by Hendrick Avercamp over four hundred years ago, it’s the inspiration for the frame I made for the commission, “Family Portrait of Heather, Courtney and Olivia”.
Posted by: antique_frames, A Winter Scene with Skaters near a Castle. By Hendrick Avercamp about 1608. Seen in the National Gallery.
Bringing out the details with subtle framing
Dutch style frames are a particular favorite of mine because I find that they lend a formality without adding distraction. The dark, wide and simple profile brings my eye into the details of the image and helps keep it there. I’m also happy to find that the geometric shape of the frame draws my eye around the arms and hands of the loving family encircling one another.
Detail of hands, oil on aluminum
Instagram for inspiration
I have a wide array of interests and they are all covered on Instagram. Among the folks I follow, there are visual artists, picture framers, musicians, weavers, farmers, and family members. You never know how or when inspiration will hit and it’s always fun to take a break and see what people are up to. If you’re on Instagram I hope you’ll check out my account!
Portrait of Maddie at the Beach, oil on copper, 4″ x 4″
My commission schedule is booked out almost a year in advance, but if there’s a special occasion you’d like a portrait for and it’s coming up soon, it doesn’t hurt to ask!
I like to leave a little wiggle room in my schedule to accommodate one or two unexpected commissions each year that need to happen right away. The timing for this painting worked perfectly, and I’m really happy I was able to make it as a special gift for a very special person.
This painting was presented to Michele as a tribute to ten years as a hardworking, knowledgeable and efficient registrar at the Seattle Art Museum. But for her colleges to commission such a gift to commemorate her time at SAM, it’s also a tribute to the genuine warmth and love that she has always been so quick to share. We coordinated with her daughter who she sent me several images, and this one immediately stood out to me as “the one,” both a portrait of her very loved granddaughter, and an image of a young girl, going confidently to the ocean on a glorious sunny day. I hope Michele’s new adventures are just as sunny, and I know she will go into them with confidence and brighten the lives of all she meets.
My thanks to everyone at SAM and to her daughter for the commission, and for your trust that I could make a gift worthy of Michele. And thank you, Michele, for all your help and support, both professional and personal over the past ten years. Enjoy and visit your old friends often!
From Michele’s daughter
“Wow, Rebecca. I don’t even know what to say… this is so beautiful. My mom is going to love it. We are so blessed that you’ve used your incredible talent to commit such a wonderful memory into an ever-lasting work of art. Thank you.”
“Amazingly talented, kind, sweet, wonderful. …I will always admire you when I look at the portrait…”
“Nine on the Beach”, oil on aluminum, 14″ x 14″
A first-person perspective captures the intimacy of a unique moment.
This image is so rich in textures to explore, from the surface of the water over the rippled sand, to the skin and all the various textiles. But what really makes this painting special is the story that inspired it and brought nine people together for a day to remember.
When I was first approached to make this painting, I admit I was a little skeptical. My client mentioned that he had taken the image the previous weekend and wanted a portrait made from it, with some slight modifications. It seemed like such a casual request to warrant countless hours making a painting that will last hundreds of years. I was compelled enough by the image to do a mock-up and give an estimate, yet I was curious, what made this image so special?
When my client accepted the estimate, he gave me the backstory:
This image is from this past Saturday when we scattered my Mother-in-law’s ashes at the beach and I shot this photo when we were all standing in a circle before the ashes were scattered. My idea of this painting is to give my wife a gift and a memorial from a really beautiful day. Part of what I like are how different all of our feet are, dress shoes and suit from the service bare feet, etc. The idea of the seagull is a representation of Jean in the middle of us.
The story was so moving that it completely transformed my perspective on the commission, from being slightly skeptical to feeling deeply honored. What a stunning reminder of the power of a story to give meaning, that a few words of insight into a shared experience can make an image so deeply moving.
What a beautiful memorial, and what a loving husband to bring the idea to life.
The final painting, framed and ready to gift wrap