‘Into the Country,’ a New Monthly Miniatures Series

Sheep painting

 

Miniature Portrait of a Miniature Cheviot Sheep

The Miniature Cheviot Sheep is an old breed of sheep that ranges wild across the hilly interior of Britain. As a lineage preserved distinct from modern, meat-producing breeds (including other Cheviot breeds), they are known for being hardy and wild, and their wool is prized for its warmth and durability due to its crimp. Very few Miniature Cheviot Sheep exist in the Americas, and my mother-in-law Margot keeps them because she values their ability to lamb and thrive unassisted. They are fast and agile, with intact instincts for motherhood and self preservation, and they were difficult to photograph!

Artist with baby sheep

Me and one of Margot’s Easter babies from a couple years ago. They’re softer than you can imagine!

I grew up on twenty acres with all sorts of creatures. When I was still very young, my father was disabled by multiple sclerosis, so my memories of the animals he kept are childlike impressions, images and feelings without stories attached. I don’t remember why we bottle-fed baby goats (my sister does), but I do remember how the goats looked and sounded. Memories of those days are warm and fuzzy in every sense, and they are all bundled up tight with memories of my dad, who also introduced me to art. Now I have a mother-in-law, Margot, with her own farmyard animals, and these animals still bring me a sense of warmth and love and the endless wonders of childhood.

“Into the Country” is my second series of Monthly Miniatures, in which I plan to develop one of several ideas sparked by painting “Paintings of Rabbits” (the first Monthly Miniature series). Each month will feature an animal from Margot’s animal family, in a style inspired by classical Dutch portraiture, with naturally-lit subjects against a dark, simple background to emphasize and personify the subject.

Father’s Day

Portrait of father Rebecca Luncan

My father gave me a foundation, not only in art, but in all I hold dear.

An extremely social person and an engineer by trade, my father was my earliest influence as an artist, gardener, and animal lover (we had bunnies, dogs, and cats, a pig, goats, chickens, horses, pigeons, and probably more that I’m forgetting). Dad took art classes throughout college and always kept up drawing when he could. When I was little, I loved studying his drawing exercise books and sketchbooks. I remember one book in particular that had printed at the bottom of every page, “you learn to draw by drawing,” and that mantra has always stayed with me.

By the time I went to college, my dad’s Multiple Sclerosis had progressed pretty far, but I know he would have supported me in my decision to be an artist. Above is a paining I did of him while in art school, when my style of painting was much looser (I’ve been painting on metal since my junior year). My passion for making things, and for nature bonds me to my father and keeps the sharp and lively man from my childhood strong in my mind and heart.

I love him dearly and I’m thankful to everyone back home that helps take care of him. Especially my sister, Theresa, who diligently and lovingly visits several times a week and whose FaceTime calls from the nursing home make him seen not so far away.  My aunt Carla recently found and framed the certificate below for him from when he was the Art Club President in high school.

DadDocument

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Painting on Copper – May Monthly Miniature

My second Monthly Miniature of Charlemagne the rabbit, follows a 500 year tradition of painting on copper primed with a clove of garlic.

Lavinia_Fontana_-_Self-Portrait_in_a_Tondo_-_WGA7986

Lavinia Fontana (1552-1614)-Self-Portrait in a Tondo, 1597, oil on copper

Paintings on copper have been made by European artists since the mid 1500’s. Many examples from those first few hundred years survive even better than their canvas and wood panel counterparts.

Then as now, copper surfaces are first lightly sanded, cleaned with denatured alcohol, and topped with an optional layer of garlic juice. Garlic juice etches the surface of the copper and it’s most effective if followed by a coat of lead white. The process hasn’t changed over the years, except many more artists today (myself included) avoid the highly toxic lead white paint.

Artists don’t often get to grow their own art supplies. The garden is another huge creative outlet for me, and now a tiny bit of it is in this painting.

Fearsome Bală stalking in the garlic patch, Photo credit: Evan Grim

My cat, Bală stalking in the garlic patch, Photo credit: Evan Grim

Check out Alberti’s Window, An art History Blog for an in depth discussion about Lavinia Fontana’s self-portrait above in reference to her being a female painter in the 1500’s.

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