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Scottish Terrier Pet Portrait

Tilly, oil on Aluminum, 4″ x 4″

The reference images for my pet portraits are almost always provided by clients—and the better the images, the better the painting turns out. This portrait of Arthur, a dignified Scottish Terrier, is a wonderful example of how strong reference photos can lead to a successful painting.

Strong Reference, Strong Portrait

Tilly (Arthur’s human) sent me around twenty high-quality photos along with a clear vision: she wanted to see Arthur in a red chair or on a red cushion. What really made her images exceptional was the lighting and the angle.

Most of the photos were taken outdoors or next to a bright window. That natural light helps reveal accurate colors, fine details in the eyes, and the rich texture of fur. The image I ended up using as my primary reference is a perfect example of what a big difference a window can make.

Tilly also photographed Arthur at eye level in most of the images. That perspective helps reduce distortion and adds a sense of intimacy which is something I always aim for in my portraits.

If you’re planning to commission a portrait, I’ve shared some helpful tips for taking reference photos of your dog or your cat.

From Photo to Painting

As shown in the images above, I always begin by creating a digital mock-up based on the client’s references. I adjust background shapes and colors to complement the subject and guide the viewer’s eye throughout the composition while keeping the focus firmly on the animal’s personality.

In Arthur’s case, I made a few key changes from the original image: I simplified the background considerably and lowered the top line of the chair so it sits just beneath his nose, which helps enhance his alert, poised expression. Other changes from the mock-up to the final painting were subtle refinements in color, contrast, and texture that came through as I worked.

While painting, I referred back to the other images Tilly sent to double-check details and keep things accurate. I softened the contrast in Arthur’s fur and muted the background slightly to give him more depth. That also made his eyes appear brighter. One final and important detail: I made sure to include the little tuft of hair that stuck straight up in nearly every other photo. Tilly mentioned it specifically, and I knew it had to be there.

From Tilly

“This is perfect! Thank you so much for working so hard on it. I’m absolutely in love…”
—Tilly

If you’re curious about commissioning your own pet portrait (or giving one as a gift), you can find information on pricing, gift vouchers, and timelines on my commissions page.

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Puggle portrait painting (cape implied)

Most of my pet portrait commissions are based on images that come from my clients. I have a couple of blog posts for suggestions on getting photos of cats and dogs that can help get you started. What usually ends up working best though, is to take lots of photos (for dogs at least) when you’re running around at the park. I’m often altering the background of images to simplify it so that the attention is going to the subject of the painting. It’s not often that the background truly compliments the subject. When it does, though it’s something special.

The Historical Portrait Miniature

If you do a search for “Portrait Miniature” you’ll find countless classical miniatures, mostly from the 16th – 18th century. Popular in England, France and in the United States (There are probably a million portrait miniatures of George Washington).

At least a third of the paintings that come up in these searches have a blue sky with clouds in the background. They put it perfectly in an article about the representations of clouds in art by the Lawrence Wilson Art Gallery of the University of Western Australia. “The physical position of the clouds, situated between heaven and earth, associates them with a higher order, a characteristic that recurs in art through the ages.” The association is then tied to subject placed in front of the clouds.

I’ve been dying to do a portrait like this for ages. And was fortunate that Theo (aka Thelonious Monk ) has the bearing to pull it off. I can’t look at this painting without imaging a cape on her back. I think of it as puggle portrait painting that reveals the true size of the personality held in such a tiny body.

From Tina:

It’s perfect!! Thank you so much!  Melanie LOVES it, and we found a central spot to hang it. Just in time for her birthday and a gift for the ages…both with Theo, and beyond.
Eternally grateful

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Seattle Golden Boy, Golden Retriever Portrait Painted on Copper

From Hazel to Joey

Golden Retrievers are known for their gentle, loving nature, and I’ve been fortunate to paint several over the years. Not long before this commission, I completed a portrait of Hazel, a Golden who lived to the remarkable age of nineteen. Painting Joey soon after felt like the start of a new journey: where Hazel’s portrait reflected the depth of a long, cherished life, Joey’s radiates the brightness of youth and the promise of years ahead. My hope is that his life will be just as full, with an endless supply of love flowing both ways.

A Miniature with Big Detail

This portrait, painted on copper, measures just 4 × 4 inches — the smallest size I currently offer. Though intimate, it leaves room for detail, including the Seattle skyline in the background as a nod to Joey’s hometown. The copper surface adds warmth and depth, complementing his golden coat.

golden retriever portrait painting miniature by Rebecca Luncan

A Gift of Love

Joey’s portrait was commissioned by Lori as a holiday gift for her husband. When she received the finished piece, she wrote:

“It’s incredible in person, you are beyond talented! I can’t thank you enough.”

If you’re interested in commissioning a portrait, please visit my Commissions page to learn more about the process, or browse my Pet Portraits or Portrait Commissions galleries for more examples.