Commissions and Personal Work: One Fuels the Other
I split my studio time about equally between commissioned work and personal work. With a one-year-old and a part time job at the Seattle Art Museum, I guard my painting time carefully. My priority is always to finish commissions on time, and that sometimes means putting off other paintings.
With plenty of ideas to begin with, paintings can be put on the back burner for years. A series of nine paintings of black cats was one such series but between my commissions and a backlog of other personal work, that project is at least two years away. You can imagine I was very excited to receive a request to paint this portrait of the black cat, Tank!
I love how the painting came out, and it gives me the feeling my black cats project is not so far away. It eases a sense of urgency and being short of time, by getting some of my ideas out of my head and into the world. In so doing it also helps to inform my future work. When I finally paint my black cats series, (future Monthly Miniatures perhaps?), I will have a better idea of what I want to explore, having already ‘pulled back the curtain’ and taken a peek.
I am thankful for this invitation to paint Tank and the opportunity to explore the mystique and beauty of black cats! I am so lucky to do work that lets me feel so thankful, so often. If you have a black cat, I would love to paint his or her portrait. Read about commissioning a pet portrait at my commissions page. Tanya and family also commissioned two duck stuffed animal paintings that were both a delight to paint.
…we love tank’s portrait
It was hard to convince my mother it wasn’t a photograph