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Honorable Mention in the 18th ARC Salon

I’m honored to share that Asian Pears and Peaches on Lacquer Tray received an Honorable Mention in the Still Life category of the 18th International ARC Salon.

The ARC Salon, organized by the Art Renewal Center, is one of the world’s largest and most respected competitions dedicated to contemporary representational art. Each year, thousands of works are submitted by artists from around the globe, making this recognition especially meaningful.

Asian Pears and Peaches on Lacquer Tray
Oil on copper
20 × 24″

Museum Object to Contemporary Still Life

While this painting appears to depict a simple arrangement of fruit, insects and a tulip, it brings together many threads from my own history.

The lacquer tray is based on a fifteenth-century Japanese cinnabar tray in the collection of the Seattle Art Museum. During my years as a museum mount maker, I had the opportunity to create a mount for the object and later traveled with it to Japan as part of a traveling exhibition. Studying the tray up close gave me a deep appreciation for its craftsmanship, and the experience stayed with me long after the exhibition ended.

Years later, I found myself returning to the memory of that object. Since placing fruit on a museum treasure was never an option, I recreated the scene at home using red paper, Asian pears from my garden, peaches, flowers, and a carefully chosen assortment from my photographs of insects. You can view the original tray in the Seattle Art Museum’s online collection.

The resulting composition feels both personal and timeless. Objects separated by centuries share the same space, connected through observation, craftsmanship, and a love of beauty.

Bringing Light Out of Darkness

One of the aspects I enjoy most about this painting is the contrast between the deep black background and the luminous surfaces of the objects themselves.

The pale fruit, dark red lacquer, and green foliage emerge from the darkness, allowing subtle shifts of color and texture to take center stage. Painted on copper, the smooth metal surface allowed me to build fine details and luminous color while echoing the refined craftsmanship of the historic tray itself.

As I worked, I became increasingly interested in the quiet relationships within the composition: the curves of the pears and peaches mirroring the carved forms of the tray, the warm reds balanced by cool greens, and the small insects moving among the larger forms.

Why the ARC Salon Matters

One reason the ARC Salon is so meaningful to me is its celebration of representational art and traditional craftsmanship. The competition recognizes artists who continue to explore observation, technical skill, and the rich traditions of realism while creating contemporary work.

Receiving an Honorable Mention for Asian Pears and Peaches on Lacquer Tray is especially gratifying because this painting embodies many of the things I value most: careful observation, a love of art history, and the connection between objects, memories, and the stories they carry.

I am grateful to the judges for this recognition and thankful to everyone who continues to support my work.

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Winter Bonsai Solstice at the Pacific Bonsai Museum

A Winter Evening Among Miniature Marvels

On Saturday, December 13, I will be one of the vendors taking part in the Pacific Bonsai Museum’s Winter Bonsai Solstice, a magical after-dark event where the museum’s world-class bonsai collection is illuminated with soft holiday lights. This is one of only two evenings each year when the museum opens after sunset, and the trees truly take on an otherworldly glow.

Visitors are encouraged to bring a flashlight and a warm coat and wander the pathways at their own pace. You will find small trees, long shadows, and quiet corners everywhere.

A Night of Miniatures

The Winter Bonsai Solstice brings together local makers along with the museum’s own pop-up shop for a small holiday market. You will find everything from handblown glassware and fiber art to bonsai supplies and aromatherapy. This is my first time participating, and I am delighted to be included. The museum is such a gem and I would want to attend even if I were not part of the market.

I will have a selection of prints and an assortment of greeting cards available, including a limited edition print of “Hot Chocolate.”

Hot Chotolate and bonsai still life limited edition print from oil painting by Rebecca Luncan
Hot Chocolate, Limited Edition Print

Hot Chocolate, Limited Edition Print

This piece was inspired in part by the museum’s own Chinese Juniper forest, and it feels especially meaningful to bring it back to the place that helped spark the original idea. If you would like to read more about the painting, you can find the story here: Hot Chocolate.

Visit the Event

The Winter Bonsai Solstice takes place on Saturday, December 13 from 4 to 7 PM at the Pacific Bonsai Museum in Federal Way. Admission and parking are free thanks to support from 4Culture. The evening includes festive music, a food truck, free hot chocolate, and the beautifully lit bonsai collection.

I hope to see you there and to share some of my work in this beautiful setting. Don’t forget your flashlight!

And yes, I did say free hot chocolate. 🙂

Event Info
Saturday, December 13, 2025
4:00–7:00 PM
Pacific Bonsai Museum
2515 S 336th Street, Federal Way, WA
Free admission and free parking

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Winston Featured in Artist’s Magazine — Now in Print!

Back in June, I shared that my portrait of Winston received an Honorable Mention in Artists Magazine’s 4th Annual Best in Show | Pets competition. I’m delighted to say that the September/October 2025 issue is now out in print — and Winston is in it!

artists magazine cover septOct-2025
Cover image courtesy of Artist’s Magazine

Seeing this piece in the pages of Artists Magazine feels especially meaningful. The juror, Emma Colbert, described it as “a little masterpiece using light and shade to create a whole world for Winston,” which captures exactly what I hoped to convey in this portrait of a beloved shop dog and his woodworking world.

The issue is available on newsstands through October 20, and you can also find it online in the Artists Network shop:
Artists Magazine September/October 2025 Print Edition

I’ll be able to share the feature pages after October 20, once the issue goes off newsstands — stay tuned for that update!

If you missed the story behind Winston’s portrait and how it came to be, you can read the earlier post here:
Winston Receives an Honorable Mention

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My Work at the 2025 Seattle Art Fair

I’m honored to be showing several of my still life paintings this weekend with Harris Harvey Gallery at the 2025 Seattle Art Fair. This Seattle gallery is known for championing contemporary work by West Coast artists, and I’m happy to be exhibiting alongside a group of remarkable painters from their roster.

The fair takes place at the Lumen Field Event Center, where over 80 galleries will be featured, including programming from SAM, public talks, installations, and more. Harris Harvey Gallery will be at Booth B11, and their space includes artwork by Fred Holcomb, Terry Furchgott, Gary Faigin, Eduardo Fausti, Linda Jo Nazarenus, Hiroshi Sato, Thomas Wood, John Lysak—and myself.

If you’re planning a visit, I’ll be there Saturday morning (July 19) and would love to say hello.

Event Details

Seattle Art Fair 2025
Lumen Field Event Center
800 Occidental Ave S, Seattle, WA 98134
Booth B11 – Harris Harvey Gallery

Public Hours:
Friday, July 18: 11am–7pm
Saturday, July 19: 11am–7pm
Sunday, July 20: 11am–6pm

Fair programming includes artist talks, curated installations, and gallery booths from around the world. It’s a great opportunity to experience a broad range of contemporary artwork—whether you’re an artist, avid collector or simply curious about art. For more information about the fair, go to the Seattle Art Fair website.

I hope to see you there!

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Winston Wins an Honorable Mention in Artists Magazine’s Best in Show | Pets Competition

I’m honored to share that my portrait of Winston received an Honorable Mention in Artists Magazine’s 4th Annual Best in Show | Pets art competition. The painting was inspired by Winston’s close relationship with his owner—a dear friend known for his animal sculptures and patterned plywood furniture. Winston is not just a subject but a true studio companion, so incorporating elements of a piece from Michael’s workshop made it all the more personal.

The work was selected by juror Emma Colbert, who offered this thoughtful commentary:

“I love when a background sets the scene and the lighting in a pet portrait. Winston’s surroundings are perfect, and the care taken in capturing his character is noticeable. Tonally, this is a little masterpiece using light and shade to create a whole world for Winston in that beautiful round format.”
Emma Colbert, Juror

The winning pieces—including Winston—are featured in the September/October 2025 issue of Artists Magazine and are now available to view online.

See all winners here:
It’s Reigning Cats and Dogs »

🐾 See the Top Dogs (including Winston) here:
Top Dog Winners »

Dog pet portrait oil painting by Rebecca Luncan
Winston, 5 x 5″, oil on aluminum

Thank you to Artists Magazine and juror Emma Colbert for recognizing Winston. I’m delighted to have this portrait included alongside so many heartfelt and beautifully rendered works.

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Winston & Sloop: A Pair of Pet Portraits

These two portraits—of Winston the dog and Sloop the cat—were painted for my longtime friend Michael Alm, a sculptor and furniture maker whose distinctive patterned plywood designs often appear in his work. Michael’s eye for materials and love for his pets made this pair especially meaningful to paint.

Capturing Winston

Winston, a black-and-white mixed breed dog, is shown seated in front of one of Michael’s plywood cabinets. I knew from the start that I wanted to include the signature texture and angles of the furniture in this piece. The lighting is direct, casting sharp reflections on the concrete floor and giving the portrait a grounded, contemporary atmosphere.

Because of the highly detailed nature of my painting process, it’s essential that the composition is finalized before I pick up a brush. In the original reference photo, a dark cushion intersected Winston’s head—visually distracting and not ideal for framing his face. I digitally repositioned the furniture so that his head was cradled by a clean section of patterned plywood. The cabinet’s perspective and Winston’s gaze naturally lead your eye to the left, but a carefully placed handle at the edge of the painting subtly redirects your attention, bringing you back into the portrait.

Dog pet portrait oil painting by Rebecca Luncan

A Portrait of Sloop

Sloop, Michael’s ginger cat, was painted lounging on a sofa, one of his favorite spots. I included one of his toys in the foreground and modified the background to echo the teal green of his eyes, a decision that emphasized his vibrant coloring. Unlike Winston’s more structured setting, Sloop’s portrait is softer and more intimate—matching his feline charm.

orange Cat portrait oil painting by Rebecca Luncan

Honored Recognition

The portrait of Winston received an Honorable Mention in The Artist Network’s 4th Annual Best of Show | Pets Art Competition. It will be featured alongside other winners in the September/October 2025 issue of Artists Magazine and on ArtistsNetwork.com.

More About Michael Alm

Michael’s work as a sculptor and woodworker is both thoughtful and meticulous. You can explore his creations on his website almfab.com or follow his build videos and creative projects on his YouTube channel, which has over 600,000 subscribers.

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Recent Still Life: Exhibition in Seattle

I’m thrilled to share that I will have paintings on view at Harris Harvey Gallery from September 5 – 28, 2024. I’ve been working on getting ready for the show for a while and it’s wonderful to finally see it come together. Please go the gallery website to see what is still available.

Artist Statement about the Paintings on View

I paint objects of intimate familiarity—fruits and florals from my garden, objects handled in my time as a mount maker for Seattle Art Museum—in compositions inspired by the Dutch Golden Age. Much as the Dutch masters would compose seasonal impossibilities, I bring together inspirations separated by time, space and tradition. My work is a reach for a childhood of birds’ nests and frogs, a longing to grasp that wonderment yet reconcile with isolation and loss. It is a meditation on the comings and goings of life, the closeness and distance to kin of all kinds.

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Group Exhibition in Portland, OR – “Untamed Splendor”

A group exhibition celebrating 10 years of Antler Gallery

Antler Gallery in Portland, OR is celebrating their tenth anniversary with a huge group show “Untamed Splendor”. The show opens tonight, January 27th at 5pm. I’m so happy to be a part of celebrating the gallery and hope for their continued success.

My painting, “My Grandfather’s Poppies” will be in the show along with works by 60+ internationally renowned artists. oil on aluminum, 12” x 16”

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Harris Harvey Gallery Group Show

5 / 37
An Anniversary Show

October 7 – 30, 2021

Celebrating their 5th year as Harris Harvey Gallery and 37 years since the gallery’s founding, the gallery is hosting a new exhibit. This group show features a selection of artist that the gallery represents and I’ll have one painting in the show. The exhibition highlights a long-standing commitment to artists of the Pacific Northwest and West Coast, as well as reflecting the diversity of technique and creative vision that has been vital to the gallery’s history.

Artists: Kathryn Altus, Carole Barrer, Joel Brock, Mark Butler, John Cole, Peter de Lory, Charles Emerson, Gary Faigin, Terry Furchgott, Christopher Harris, Richard Hutter, Hart James, Ed Kamuda, Karen Kosoglad, Gregg Laananen, Kent Lovelace, Rebecca Luncan, John Lysak, John McCormick, Richard Morhous, Linda Jo Nazarenus, Royal Nebeker, Kim Osgood, Noelle Phares, Hiroshi Sato, Robert Schlegel, Christine Sharp, Lois Silver, David W. Simpson, Lisa Snow Lady, Wendy Thon, Emily Wood, and Thomas Wood

White Rabbit contemporary realism oil painting on aluminum by Rebecca Luncan in octagonal frame
A Silent Gathering, Oil on Aluminum, 6″ x 4″