My latest commission is a cat oil portrait on aluminum. Sean commissioned me to paint Fifi as a gift for his wife. Soon after commissioning the painting however, he let her in on the secret and they both got to enjoy the fun of anticipating the finished creation. We choose an oval format and 6″ x 8″ ended up being the perfect size.
Detail of Portrait of Fifi
8″ x 6″
oil on aluminum
We choose a solid wood walnut frame with ornate detail on the outside and inside lip to give it a more formal look. I love how the brown of the frame compliments the green in the painting!
Framed cat pet portrait by Rebecca Luncan
Painting received, it looks amazing!!! I am super excited! Thank you again for all your work!
Sean and Fifi pose with Fifi’s portrait
Please visit my commissions page to learn how to commission your own pet portrait.
Lucy is special one. People would see this cat pet portrait painting on the easel and just fall in love.
Portrait of Lucy
5.25″ x 3.75″
oil on aluminum
But this portrait commission started off a little differently than usual. Lucy was commissioned as a graduation gift from mother to daughter. Instead of opening a box and finding a painting, Taylor opened an envelope and found a gift voucher for a custom portrait of her Lucy.
Most paintings don’t start this way, I think because people like to present a finished painting for a gift but part of the fun of commissioning a custom portrait is dreaming up ideas, then looking through the mock-up proposals and seeing the painting develop. We looked through images together in my studio, figuring out both the composition and the perfect antique frame for the painting. Taylor had a strong instinct for which elements really said “Lucy,” and when the design was finalized we were all excited to see it take shape!
I am so happy with how Lucy turned out, please continue reading Taylor and Drindi’s testimonials below and see my gallery of portraits on the Pet Portraits page.
Oh my goodness. You did such a great job capturing her. So exciting. I admire your commitment to your passion and you are so good at it. So I hope your art work continues to be a priority for you – certainly brings so much joy and beauty to our world.
I have said this to my mom several times now, but wanted to officially say to you how much I absolutely love and adore my painting of Lucy. It gives me so much joy and captures her spirit and personality so perfectly. It’s truly one of those few things I would save in a fire (hopefully that’s never the case) but you get the gist – I will treasure it forever.
Black Lab’s are the quintessential family dog and a pet portrait of man’s best friend makes the perfect Father’s day gift. Black Lab’s are full of energy and aren’t really suited for apartment living, but few breeds can outmatch their friendly personalities. Such sweet personalities makes them very easy to love back.
Sally commissioned me to paint Pi (short for Pirate) as a gift for her husband for Fathers Day. She sent me lost of great photos, which gave me an insight to how lucky Pi is. Dogs love with such a wholehearted passion and it was clear that Pi is loved back just as much.
Portrait of Pi
oil on aluminum
5″ x 5″
We choose a solid wood frame manufactured by a company in Canada, Inline Ovals. Learn more about my commission process on my commission page and see more examples of pet portraits in the pet portraits gallery.
…it is SO amazing. It’s my favorite piece of art in the whole house:)
Anders was surprised and he loves it too. I def scored points. Thank you SO much!!!
Clark worked hard to make this pair of portraits happen! They were an anniversary gift, and getting all the old photos of Jackson scanned and mailed in secret took time and cunning. Clark was up to the task though, and he supplied me with lots of great images. Although we talked at first of painting Jackson as an adult, he sent me a few pictures from his puppy stage as well. I couldn’t resist mocking up a puppy portrait—the images were too adorable! Clark was tempted too, and instead of one portrait, he commissioned two paintings, each from a different stage in Jackson’s life.
Framing the Portraits
“Jackson as a Puppy” oil on copper, 6″ x 6″
I sent Clark a selection of frames to choose from and he picked a 1 1/2″ wide natural wooden frame. The color brings out the warmth of Jackson’s Golden Retriever silky coat, and the pair of portraits look great together. Take a look at my Pet Portraits Gallery to see more examples of my work, and visit the Commissions page to learn how to commission your own pet portrait oil paintings.
Portrait of Jackson
oil on copper
6″ x 6″
Portrait commissions can be “animals” of all sorts
I am always up for a challenge, so when I was approached about painting stuffed animals, I didn’t hesitate to say yes. I knew the subject matter would present new challenges, but it was such a sweet idea. And it was a challenge indeed! Polly was easy to compose, but Mama & Papa Duck took two photo shoots and numerous mock ups before it finally all came together.
The paintings are gifts for the two children who befriended and loved these stuffed ducks. Through the love and infectious imagination of children, these special ducks became living beings for everyone in the household. These two sweet and quirky portraits capture this fleeting and precious time of childhood.
Mama & Papa
oil on aluminum
5″ x 7″
Portrait of Polly
oil on copper
3 1/2 x 4″
If you’ve got an idea for a commission, please don’t hesitate to contact me. I welcome ideas for artwork of all your loved ones (paintings of toys included!). Take a look at my commissions page for more information about my process. Also, please take a peek at my recent black cat pet painting, Portrait of Tank, a painting of the beautiful black cat that is also part of this lovely family.
This makes my day!
I love (them) so much they brought a little tear to my eye 😉
Commissions and Personal Work: One Fuels the Other
I split my studio time about equally between commissioned work and personal work. With a one-year-old and a part time job at the Seattle Art Museum, I guard my painting time carefully. My priority is always to finish commissions on time, and that sometimes means putting off other paintings.
With plenty of ideas to begin with, paintings can be put on the back burner for years. A series of nine paintings of black cats was one such series but between my commissions and a backlog of other personal work, that project is at least two years away. You can imagine I was very excited to receive a request to paint this portrait of the black cat, Tank!
I love how the painting came out, and it gives me the feeling my black cats project is not so far away. It eases a sense of urgency and being short of time, by getting some of my ideas out of my head and into the world. In so doing it also helps to inform my future work. When I finally paint my black cats series, (future Monthly Miniatures perhaps?), I will have a better idea of what I want to explore, having already ‘pulled back the curtain’ and taken a peek.
I am thankful for this invitation to paint Tank and the opportunity to explore the mystique and beauty of black cats! I am so lucky to do work that lets me feel so thankful, so often. If you have a black cat, I would love to paint his or her portrait. Read about commissioning a pet portrait at my commissions page. Tanya and family also commissioned two duck stuffed animal paintings that were both a delight to paint.
…we love tank’s portrait
It was hard to convince my mother it wasn’t a photograph
When I first started painting pet portraits, I never imagined I would paint so many in memoriam. It’s a hard thing to explain why a painting should feel more significant than, say, the photo it’s based on, but I think it’s the care put into making it. I love that all the smiling dogs and bright eyed cats that I’ve painted will be just as happy and alert in their portraits for hundreds of years to come. They will not only bring a moment of joy to their much loved companion, but also to countless generations of viewers after all of us are gone. It’s an honor to make these paintings.
Hicks was one such special dog. I painted his portrait for Megan, whose husband was very close to Hicks. Our time with our pets is brief, but the love we experience is profound. We dread the moment of loss almost from the first, and it is always too soon. I know how it feels to lose a dog so well loved, and I think that is why I never get tired of painting memorial pet portraits.
I have a little portrait of Buster, my favorite companion who I lost six years go, hanging where I can see him every day. His portrait honors our connection and keeps his memory warm in my heart. It also gives me occasion to talk about him more, and tell stories of special memories. Painting it and having it helped me turn my grief at his passing into a celebration of our friendship. If you are considering a similar gift for yourself or a loved one, let me personally encourage you. If you have any questions about it, you may read my Commissions page or reach out to me directly.
Oh my gosh. It’s amazing!! I have tears in my eyes writing this. My husband loved it. It is so beautiful. I can’t thank you enough.
5″ x 5″
oil on aluminum
Painting pet portraits is a journey of discovery
Years of training in traditional painting techniques and my past pet portraits form the foundation for each new piece I make. Yet with each portrait I still learn new things. Mixing just the right color still feels like making magic, and finding the precise technique to create a new texture of fur or feathers is an enchanting challenge all its own.
A perfect example is my recent cat portrait of Shiro, a fluffy white fellow with piercing blue eyes. In this case, the key technique to capture the luminosity in those beautiful eyes, as well as the soft sense of fluff, was glazing.
Glazing is a little like magic
Evidence of glazing is found in the earliest examples of painting. The idea is to apply transparent layers of oil paint atop the dried lower layers. I use Gamblin’s Galkyd media for the upper layers of my paintings and when glazing, I increase the medium enough to create transparent layers, which offer a sense of optical depth. This is one reason why painting always look better in person than when reproduced. In reproductions all the colors are flattened out and the transparent layers are lost.
Glazing is typically used in just a few key areas of a painting. The areas of optical depth attract the viewer’s eye more than surrounding areas of opaque paint, so it’s a great way to help direct the eye of the viewer around a composition and create focal points. Gamblin has a list of pigments that are ideal for glazing on their website. I used Phthalo Blue, Phthalo Green, and a touch of Indian Yellow in Shiro’s eyes.
We absolutely love the picture. You rendered him so beautifully! We have a special spot in the house to hang the picture so we can look at it every day and it looks amazing.
Thank you again. It is such an honor and a treat to have a piece of your art and it is so special that it is of Shiro who we love so much.
Thanks so much for the commission, Dawn!
See more examples of my paintings on the Pet Portraits page and learn about the commission process on the Commissions page.
Family Portrait of Heather, Courtney and Olivia, oil on aluminum, 6″ x 4.75″
Inspired by a 17th century artwork through 21st century social media
I’m always on the lookout for new ideas not only for what I’m painting, but also for framing. When Richard Christie, picture framer of the Cotswolds in the UK, posted an image of a painting on Instagram, I gasped aloud. I had been debating how to frame the miniature family portrait painting above and I instantly knew this was “The One!”. My delight was due to a beautiful frame worthy of a truly spectacular little painting (pictured below) of “A Winter Scene with Skaters near a Castle”. Painted by Hendrick Avercamp over four hundred years ago, it’s the inspiration for the frame I made for the commission, “Family Portrait of Heather, Courtney and Olivia”.
Posted by: antique_frames, A Winter Scene with Skaters near a Castle. By Hendrick Avercamp about 1608. Seen in the National Gallery.
Bringing out the details with subtle framing
Dutch style frames are a particular favorite of mine because I find that they lend a formality without adding distraction. The dark, wide and simple profile brings my eye into the details of the image and helps keep it there. I’m also happy to find that the geometric shape of the frame draws my eye around the arms and hands of the loving family encircling one another.
Detail of hands, oil on aluminum
Instagram for inspiration
I have a wide array of interests and they are all covered on Instagram. Among the folks I follow, there are visual artists, picture framers, musicians, weavers, farmers, and family members. You never know how or when inspiration will hit and it’s always fun to take a break and see what people are up to. If you’re on Instagram I hope you’ll check out my account!
Shiro in progress
5″ x 5″
oil on aluminum
Robbie in progress
oil on aluminum
17″ x 15″
Painting in a traditional style, takes many layers of paint and lots of time.
Visiting an artist’s studio, you will see multiple painting in the various stages of completion. By first doing a thin coat of paint and mixing more oil medium with my paints for each successive layer (known as working lean to fat), my paintings will last for many hundreds of years without cracking or buckling. Not all artists care about the longevity of their paintings, but for me, I care out of respect for what I’m doing and for the work countless others have done throughout the long history of painting to figure out best practices. It also creates a rich depth that you can’t get with just one layer of paint!
Please take a look at my pet and human portrait galleries and visit my Commissions page to learn more about my commission process!
Octagonal picture frame in progress
Cutting a liner for a custom frame
An artist’s studio isn’t only for painting!
I often hire local framers (my favorite in Seattle is Gallery Frames) but sometimes I like to make and finish them myself. This frame, pictured in multiple parts above, will be for an oval family portrait I made several months ago. It took some brainstorming to figure out the perfect frame I’m really excited for it to be completed!
I hope you’ll check back soon to see how these pieces progress!