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Still Life Paintings in Group Show “Going Dutch”

When I was starting my Monthly Miniature still life paintings last January, I got a serendipitous invitation from curator Jeremy Buben. He operates The FoodArt Collection and was putting together a show of still life’s and tuliperies inspired by still life’s of the Dutch tradition and tuliperies made in the 1600’s. I happily accepted the invitation to be one of the artists.

The show hosts a great mix of styles and mediums, each artist creating lush, elegant pieces. And you don’t often get to see tulipieres! A tuliperie or tulip-holder is an ornate vessel made specifically to display tulips. They were common during the 17th c and were often designed to grow the bulbs right in the vase. I hope you’ll get the chance to stop by the gallery to see all of the pieces in person. If you can’t make it, you can go to the gallery website and see all of the pieces from the exhibit online.

Flowers, Bird's Nest and Insects, still life oil painting by Rebecca Luncan

Flowers, Bird’s Nest and Insects, oil on copper 5″ x 5″

Opening Reception: Sunday April 28, 2-5pm
Shows up through the month of May, with Sunday hours and by appointment.

From the gallery:

“The FoodArt Collection is thrilled to present a group art show of tulipieres (tulip vases) and Dutch Golden Age inspired still lifes from seven local artists.

A brief explanation: upon returning from a holiday in Holland I became obsessed with the tulipiere, a strange and fantastical vase designed specifically for tulips. To my delight I learned that local ceramic artist Carol Gouthro shared the same interest and had even curated a tulipiere show just a few years earlier at the Museum of Northwest Art (MoNA) in La Conner. When the chance to put together this show came about I reached back out to Carol and asked her if she’d like to make her first tulipiere and show it alongside art inspired by the Dutch Golden Age. A few more invites went out and thus Going Dutch was created.

I’m excited to share my passion for tulipieres, a very useful vase in my opinion, and gorgeous classical inspired art from some extremely talented local artists! Please join us for the opening this Sunday and see these tulipieres for yourself. There will also be a healthy amount of Samish Bay cheese to eat.”

Tulipieres from:

Carol Gouthro
Lois Harbaugh
Terry Siebert

Visual Art from:

Michael Doyle
Rebecca Luncan
John Rizzotto
Jennifer Zwick

Facebook Event Page: Going Dutch

For Details and Directions click HERE

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A Muse for Spring

The inspiration for my March Monthly Miniature is artist, Ambrosius Bosschaert the Elder (18 January 1573 – 1621) who was a still life painter of the Dutch Golden Age. He was among the founders of the tradition, the height of which dates to around 1600-1800. I’ve long admired paintings from this era and this series is giving me the opportunity to luxuriate the detailed little worlds created by so many different artists. Each of my twelve paintings will pay tribute to a different artist form this era and Ambrosius Bosschaert is definately one of my favorites. I’m drawn to his symmetrical and simple compositions and tried to compose my daffodil painting with some of the grace and elegance he so carefully crafts into each small painting. Go to my Monthly Miniatures gallery to see all of the paintings in this series. Learn more about this painting in my previous post.

Oil on Copper

Ambrosius Bosschaert is also a fellow painter on copper. If you look at the image below, you’ll notice that this three hundred year old painting is free of cracks or paint loss. Aside form the luminous and smooth surface, meal is an ideal painting surface because it is such a stable surface. It doesn’t tear or suffer from expanding or contracting with humidity like canvas or wood.

Ambrosius Bosschaert (1573–1621), Still Life with Bouquet of Tulips, a Rose, Clover, and Cyclamen in a Green Glass Bottle, oil on copper

Ambrosius Bosschaert (1573–1621), Still Life with Bouquet of Tulips, a Rose, Clover, and Cyclamen in a Green Glass Bottle, oil on copper

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Miniature Oil Painting of Daffodils

Daffodils are a symbol of the beginning of spring and the subject of my favorite poem, I Wandered Lonely as a Cloud, by William Wordsworth (scroll down for the poem). Though not as varied as tulips, the typically yellow flowers have been cultivated to bloom in many other shapes, sizes and colors. I wanted to show the wide variety available today and choose seven distinctive types for this miniature oil painting of daffodils.

Another herald of spring is the ladybug, which are just coming out of hibernation. I added three in this painting for good luck.

If you live in the Northwest, may have also recently seen the Northwest Salamander in your neighborhood! These sweet little creatures breed this time of year and I’m very lucky to live in an area where they are thriving. I live near a small lake and find them in my yard and out on the sidewalks when I go for walks. They’re amazingly still and gentle. They don’t hurry away, but just sit and smile up at me!

This one has quite a bit of tiny details and if you ever see it in person, you might want to have a magnifying glass handy so you don’t miss anything.

See all of the paintings in the series so far on the monthly miniature page and sign up for my monthly newsletter for a Monthly Miniature Preview & for updates from the studio.

Wishing you a very Happy Spring!

I Wandered Lonely as a Cloud
by William Wordsworth

I wandered lonely as a cloud
That floats on high o’er vales and hills,
When all at once I saw a crowd,
A host of golden daffodils;
Beside the lake, beneath the trees,
Fluttering and dancing in the breeze.

Continuous as the stars that shine
and twinkle on the Milky Way,
They stretched in never-ending line
along the margin of a bay:
Ten thousand saw I at a glance,
tossing their heads in sprightly dance.

The waves beside them danced; but they
Out-did the sparkling waves in glee:
A poet could not but be gay,
in such a jocund company:
I gazed—and gazed—but little thought
what wealth the show to me had brought:

For oft, when on my couch I lie
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude;
And then my heart with pleasure fills,
And dances with the daffodils.

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Feature in The Stanger 2019 Pet Issue

Every year Seattle’s last surviving newspaper, The Stranger, does a feature issue all about pets. Art critic Jasmyne Keimig interviewed four different artists who immortalize animal friends and I was delighted to be among them. Read the full interview on the Strangers website.

Thank you to the folks at The Stranger that continue to produce such a well loved local paper and for the yearly focus on animals. And a big thank you to Jasmyne for putting so much into writing a lovely article. I’m honored to be included!

They used an image of my portrait of Shiloh, oil on aluminum, 18″ x 12.5″ for the article. Go to my Pet Portraits gallery to see more examples of my work and go to the commissions page to learn about having your very own painting made.

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Self Portrait – Expecting

The idea for the painting “Self Portrait – Expecting” came back when I was six months pregnant with my son and most of my reference images were gathered at that time. Rabbits were a big part of my childhood and I had two rabbits that lived in my painting studio. My rabbit Eleanor, was a natural addition to the painting. Not only did she sit at my feet while I painted, her species has been seen as a symbol of fertility for more than seven-hundred years.

I didn’t start painting “Self Portrait – Expecting” until my son was two and a half and after a series of miscarriages, I had recently learned that I was pregnant again. Eleanor had passed away since the photos were taken and right in the middle of working the painting, I lost yet another pregnancy, the fourth since my son was born. The act of making this painting was such a bitter sweet experience. The painting is about fertility, yet while making it, I was experiencing so much loss. I think that some of my resolve, the strength that I had to keep up for the sake of my two-year old made its way into my expression which changed throughout the painting process. In the end, the painting has become a reminder for me to be grateful and never give up hope.

This painting is on view at Arcadia Contemporary in the group show “ARC Visions 2019“ through March 2nd 2019.

Arcadia Contemporary
39 E. Colorado Blvd.
Pasadena, CA 91105

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Travels with My Uncle

The family traveled with me to Barcelona for my recent exhibit “13th annual ARC Salon” at the Museu Europeu d’Art Modern (MEAM) and my Uncle Bill joined us from Ohio. My uncle bought me my very first canvas when I was in high school and was instrumental in my artistic pursuits. He took me to galleries and museums and his own collection of original art was such an inspiration for me. It means so much that still, so many years later, here he is standing by me believing in what I do. It was also great to have him with us to see the sights, meet new people and for my son to get to visit with his great uncle. My sons middle name is William, named after my Uncle Bill.

Learn more about the exhibit on my blog and see more paintings from the series, “Monthly Miniature: Into the Country” and “Into the Country (larger works)

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ARC Salon 2019 awards ceremony at the MEAM – Museu Europeu d’Art Modern

Earlier this month, I traveled to Barcelona to attend the 13th annual ARC Salon at the Museu Europeu d’Art Modern (MEAM). During the opening reception, they also had the official awards ceremony. Along with sever other very talented artists in the exhibit, I received my awards (Honorable mention and Arcadia Gallery Award) from Kara Ross, ARC Co-Chairman and Chief Operating Officer. The awards ceremony / opening reception was very well attended and good will and champagne flowed freely. It’s a lot of work to organize a traveling exhibition and the process couldn’t have been more seamless. The Art Renewal Center was exceptional to work with and I’m very grateful to have a painting in the exhibition. A huge thank you to collectors Steve and Carl for loaning the painting for the exhibition. And thank you Art Renewal Center and Arcadia Contemporary for the recognition and to the MEAM for being an exceptional host for the exhibit!  Barcelona is a fantastic city and the MEAM is a Mecca for contemporary realism.

European Museum of Modern Art (MEAM)

February 8 – March 31, 2019
C/ Barra de Ferro 508003, Barcelona, Spain

Rebecca receiving her ARC awards from Kara Ross at the MEAM.

Rebecca receiving her ARC awards from Kara Ross at the MEAM.

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ARC Visions 2019

New works for exhibition

I have three new rabbit paintings up at Arcadia Contemporary for the Art Renewal Center “ARC Visions 2019“, a group exhibition featuring the winners of the “Arcadia Contemporary Award” from the 13th Annual International ARC Salon. It’s an impressive group of artwork by eleven different artists and I had the privilege of meeting two of the artists at the opening, and another in Barcelona a couple of weeks before. Lovely people and extremely talented and dedicated artists. Go to Artsy to see all of the artwork in the exhibition. The exhibition is up through March 2nd.

The ARC Salon is an internationally revered competition that attracts submissions from some of the finest realist painters in the world.

The Art Renewal Center is a 501(c)(3) non-profit educational foundation championing the revival of realism in the visual arts and is devoted to furthering the realist art movement and helping talented artists with strong technical skills thrive. Arcadia Contemporary is recognized as one of the premiere showcases for those artists.

Arcadia Contemporary
39 E. Colorado Blvd.
Pasadena, CA 91105

Return to the Wild, 30" x 36", oil on aluminum

Return to the Wild, 30″ x 36″, oil on aluminum, contact the gallery for inquiries

Self Portrait - Expecting, 16" x 12", oil on aluminum by Rebecca Luncan

Self Portrait – Expecting, 16″ x 12″, oil on aluminum, contact the gallery for inquiries

A Silent Gathering (Aspen and Hare), 6" x 4", oil on aluminum by Rebecca Luncan

A Silent Gathering (Aspen and Hare), 6″ x 4″, oil on aluminum, contact the gallery for inquiries

A Silent Gathering (Aspen and Hare), 6" x 4", oil on aluminum by Rebecca Luncan

A Silent Gathering (detail)

ARC visions 2019 exhibition at Arcadia contemporary Rebecca Luncan Installation

Installation at Arcadia Contemporary

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“Arlington” at The CVG Show

Making large paintings takes me a very long time since I put so much detail into my work. Arlington took almost two years to complete with breaks in the schedule for finishing commissions and Monthly Miniature’s. The painting was exhibited Santa Fe in the 14th International Guild of Realism exhibition, hosted by Sugarman-Peterson Gallery and it has also been selected to be included in The 12th annual Collective Visions Gallery (CVG) show. This exhibit pulls together artwork made in every quarter of Washington state that exhibit the best qualities of contemporary and traditional art. The show is considered Washington’s richest juried art exhibition and is one of the biggest in the Northwest and I’m really excited to have my work included in the exhibit. 131 artists’ works were selected by Gary Faigin, co-founder and Artistic Director of the Gage Academy of Art from nearly 1,200 submissions.

The exhibit opened on Jan. 26 and it closes Feb. 23 at Collective Visions Gallery, 331 Pacific Ave., Bremerton. It’s a lovely show and great excuse to take a ferry ride over for a weekend adventure! Go to my figurative paintings gallery to see more works in the this series.

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New Monthly Miniature Series: “In Season” Featuring Still-Life Paintings

Happy New Year everyone! I’m celebrating the new year by starting a new Monthly Miniature series. For each month of 2019, I will create a miniature still-life painting in the Dutch Still-Life tradition and I hope you will enjoy following along. As a newsletter subscriber, you’ll be the first to see them, and they will be available for sale as soon as they are announced.

The Historic Still-Life tradition with a modern perspective

Still-life paintings from Northern Europe were at their prime from around 1600 – 1800 and they often feature blossoms, insects and food that could not be found out of hibernation or in season at the same time. They are constructs of seasonal impossibility, pieced together from earlier studies, signifying impermanence and the perception that earthly life is transitory.

In Season pays homage to Northern European still life, while also contrasting modern and past experiences. Expectations have changed; perennial availability is the norm now, and seasonality is hardly acknowledged. In Season features combinations of fruits, flowers and insects that occur together naturally, in appreciation of the beauty of the cyclical and ephemeral.

The first painting of “In Season” features the camellia flower and cave cricket. The camellia is one of few flowers in bloom here in January, and you may also be startled to find a cave cricket in your basement. Most insects are dormant this time of year, but these little creatures are actively scurrying around ready to frighten unsuspecting people in cool dark places.