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Princess, the Siamese Cat

From Seattle to Sydney, and Into a Frame Worthy of a Queen

Last year, I had the joy of painting a miniature pet portrait of a truly majestic Siamese cat named Princess. The finished piece traveled halfway around the world—from Seattle to Sydney—where it now lives in the home of her loving human, Danielle.

This commission was special from the start, not only because of Princess’s striking presence, but also because I was able to use one of Tom Matthews’ coveted handmade Dutch ripple frames. These handcrafted tondo (circular frames) are rare treasures, and if ever a cat deserved one, it was Princess. The final painting measured just 5.25″ x 5.25″, but the presence it carries is much larger.

Capturing Princess: A Commanding and Intimate Gaze

Princess was depicted in a regal pose, lounging on a rose-colored blanket with a soft floral texture. Her creamy fur and striking golden eyes stood out against a muted green-gray background, giving the whole piece a sense of depth and calm.

From Danielle:

“I’m overwhelmed with how exact her portrait is, it’s just like she’s having a conversation with me through the portrait, just as you planned.”

Those words are the highest praise. That quiet sense of connection is exactly what I aim to capture in every portrait.

siamese oil portrait painting by Rebecca Luncan

A Lovely Collaboration

Danielle was a dream client: warm, thoughtful, and deeply connected to her cat. Working with her to bring Princess’s portrait to life was a true pleasure. From our initial conversations to the moment she saw the final painting, the process felt collaborative and full of care. If you’re curious about how my commission process works, you can learn more here.

It’s always an honor to be trusted with such a personal commission. Portraits like these are more than just likenesses—they’re tributes to beloved companions and the lives they shared with us.

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Green Eyed Beauty, Cat Portrait Painting in Antique Frame

Sam and I became friends many years ago attending an open-studio gathering hosted by a mutual friend. She loved cats and talked about them all the time, but I was shocked to hear she didn’t have one! She and her husband were catsitters for one and they were very much in love.

After four years, Angus’s human saddly passed, but Sam and her husband were able to adopt him. He went from one very loving home to another. Soon after the adoption was official, she contacted me for a portrait of her favorite kitty.

Hand-Finished Antique Frame

I offered one of my antique frames that my sister found several years ago at a The Castner Picture Frame Company, made in the early 1900’s. You can see my finishing process on a previous post. It’s incredible to watch the transformation they undergo and I love the warm tones in the frame with his fur colors.

Antique Frame - French Polish in progress

From Sam:

INCREDIBLE! Truly amazing. I can’t thank you enough. I absolutely love it and can’t wait to see it in person.
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Finalist in Portrait Society of America Competition

In 2018, the Portrait Society of America added a new category to its annual Members Only competition: “Animals as Subject”. Since then I’ve entered every year and have been incredibly fortunate to have my work selected either as one of the winners, or as a finalist (top twenty). 

My painting of Harrison was selected as a finalists in this years competition. Thanks so much to the Jurors for selecting my work and thank you to the Portrait Society of America for their dedication to furthering the traditions of fine art portraiture. Congratulations to all of the winners and finalists in the competition! 

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Harrison, a pet portrait commission of a Flame Point Rag-doll Siamese Beauty

Framed Portrait painting of flame point ragdoll siamese cat by Rebecca Luncan

I’m in love with the subject for my latest pet portrait commission. Harrison is a flame point rag doll Siamese and those eyes!! Harrison is 10″ x 8″ and is made with oil on aluminum.

During my tiny thanksgiving gathering we talked about things we were grateful for. My clients that commission me to paint their beautiful furry friends came just after friends and family. Thank you. ❤️

I worked as a picture framer during my college years and have continued to frame my own work since then. I frame most of my clients commissioned works and for Harrisons portrait we choose this georgeous bronze colored carved frame. My client has synesthesia and she loved this frame in particular because the swirls looked like how Harrison’s meows sound. Sounds like a pretty incredible experience with the world.

From Melissa:

Ahhhh!!! It’s BEAUTIFUL! I feel like you totally and perfectly captured his essence. It’s wonderful! I love how the background brings out his eyes and various fur colors and textures. His little nose is so cute!! And he looks so fluffy! 

Thank you so much!!!

Traditional Techniques: Layer by Layer

I made a short video that shows how my paintings evolve, using the time tested technique of “lean to fat”. The first layer starts with big shapes and paint thinned with odorless mineral spirits (Gamsol). This is the lean layer. For the oil, I use Galkyd slow dry painting medium. As the detail increases with each layer, so does the oil content added to my paint mixture. By working in this way, the paint has ideal conditions to adhere to its substrate. It also ensures that the bottom layers of paint will dry more quickly than the top layers which prevents cracking in the future. I also find that this technique gives painting a luminocity and depth that is essential for capturing fluffy fur and pearlecent eyes.

If you’re interested in a pet portrait of your own, please visit my commission page to lean more.

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Still Life Pet Portrait

Portrait of Lila

oil on aluminum, 12″ x 8″

My work as a mountmaker at the Seattle Art Museum has brought me into contact with some pretty extraordinary people. Curator of Chinese artwork, Ping Foong, is one such person. I’m very grateful that she and her partner choose me to make a special portrait of their cat Lila that reflects her love of Chinese porcelains. 

From Lucie:

“It’s perfect! I love the painting so much!”

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Portrait of Tank, a Black Cat Portrait Painting

Commissions and Personal Work: One Fuels the Other

I split my studio time about equally between commissioned work and personal work. With a one-year-old and a part time job at the Seattle Art Museum, I guard my painting time carefully. My priority is always to finish commissions on time, and that sometimes means putting off other paintings.

With plenty of ideas to begin with, paintings can be put on the back burner for years. A series of nine paintings of black cats was one such series but between my commissions and a backlog of other personal work, that project is at least two years away. You can imagine I was very excited to receive a request to paint this portrait of the black cat, Tank!

I love how the painting came out, and it gives me the feeling my black cats project is not so far away. It eases a sense of urgency and being short of time, by getting some of my ideas out of my head and into the world. In so doing it also helps to inform my future work. When I finally paint my black cats series, (future Monthly Miniatures perhaps?), I will have a better idea of what I want to explore, having already ‘pulled back the curtain’ and taken a peek.

I am thankful for this invitation to paint Tank and the opportunity to explore the mystique and beauty of black cats! I am so lucky to do work that lets me feel so thankful, so often.  If you have a black cat, I would love to paint his or her portrait. Read about commissioning a pet portrait at my commissions page. Tanya and family also commissioned two duck stuffed animal paintings that were both a delight to paint.

From Tanya:

…we love tank’s portrait

It was hard to convince my mother it wasn’t a photograph

Many thanks