Family Portrait of Heather, Courtney and Olivia, oil on aluminum, 6″ x 4.75″
Inspired by a 17th century artwork through 21st century social media
I’m always on the lookout for new ideas not only for what I’m painting, but also for framing. When Richard Christie, picture framer of the Cotswolds in the UK, posted an image of a painting on Instagram, I gasped aloud. I had been debating how to frame the miniature family portrait painting above and I instantly knew this was “The One!”. My delight was due to a beautiful frame worthy of a truly spectacular little painting (pictured below) of “A Winter Scene with Skaters near a Castle”. Painted by Hendrick Avercamp over four hundred years ago, it’s the inspiration for the frame I made for the commission, “Family Portrait of Heather, Courtney and Olivia”.
Posted by: antique_frames, A Winter Scene with Skaters near a Castle. By Hendrick Avercamp about 1608. Seen in the National Gallery.
Bringing out the details with subtle framing
Dutch style frames are a particular favorite of mine because I find that they lend a formality without adding distraction. The dark, wide and simple profile brings my eye into the details of the image and helps keep it there. I’m also happy to find that the geometric shape of the frame draws my eye around the arms and hands of the loving family encircling one another.
Detail of hands, oil on aluminum
Instagram for inspiration
I have a wide array of interests and they are all covered on Instagram. Among the folks I follow, there are visual artists, picture framers, musicians, weavers, farmers, and family members. You never know how or when inspiration will hit and it’s always fun to take a break and see what people are up to. If you’re on Instagram I hope you’ll check out my account!
Shiro in progress
5″ x 5″
oil on aluminum
Robbie in progress
oil on aluminum
17″ x 15″
Painting in a traditional style, takes many layers of paint and lots of time.
Visiting an artist’s studio, you will see multiple painting in the various stages of completion. By first doing a thin coat of paint and mixing more oil medium with my paints for each successive layer (known as working lean to fat), my paintings will last for many hundreds of years without cracking or buckling. Not all artists care about the longevity of their paintings, but for me, I care out of respect for what I’m doing and for the work countless others have done throughout the long history of painting to figure out best practices. It also creates a rich depth that you can’t get with just one layer of paint!
Please take a look at my pet and human portrait galleries and visit my Commissions page to learn more about my commission process!
Octagonal picture frame in progress
Cutting a liner for a custom frame
An artist’s studio isn’t only for painting!
I often hire local framers (my favorite in Seattle is Gallery Frames) but sometimes I like to make and finish them myself. This frame, pictured in multiple parts above, will be for an oval family portrait I made several months ago. It took some brainstorming to figure out the perfect frame! See the post with the completed frame.
I hope you’ll check back soon to see how these pieces progress!
Painting an eye about the size of a grain of rice takes quite a lot of concentration.
Though I usually like to have lots of paintings going at once, this August most of my time will be spent working on a miniature 5″ x 6″ family portrait. Once I had the underpainting finished, I realized this painting would take a lot of focus to finish. I’ve been using every spare minute to move this little portrait along, and as long as I keep holding my breath at just the right times, it looks like it will turn out nicely!
It’s almost done, so check back soon to see the finished piece!