5″ x 5″
oil on aluminum
Painting pet portraits is a journey of discovery
Years of training in traditional painting techniques and my past pet portraits form the foundation for each new piece I make. Yet with each portrait I still learn new things. Mixing just the right color still feels like making magic, and finding the precise technique to create a new texture of fur or feathers is an enchanting challenge all its own.
A perfect example is my recent cat portrait of Shiro, a fluffy white fellow with piercing blue eyes. In this case, the key technique to capture the luminosity in those beautiful eyes, as well as the soft sense of fluff, was glazing.
Glazing is a little like magic
Evidence of glazing is found in the earliest examples of painting. The idea is to apply transparent layers of oil paint atop the dried lower layers. I use Gamblin’s Galkyd media for the upper layers of my paintings and when glazing, I increase the medium enough to create transparent layers, which offer a sense of optical depth. This is one reason why painting always look better in person than when reproduced. In reproductions all the colors are flattened out and the transparent layers are lost.
Glazing is typically used in just a few key areas of a painting. The areas of optical depth attract the viewer’s eye more than surrounding areas of opaque paint, so it’s a great way to help direct the eye of the viewer around a composition and create focal points. Gamblin has a list of pigments that are ideal for glazing on their website. I used Phthalo Blue, Phthalo Green, and a touch of Indian Yellow in Shiro’s eyes.
We absolutely love the picture. You rendered him so beautifully! We have a special spot in the house to hang the picture so we can look at it every day and it looks amazing.
Thank you again. It is such an honor and a treat to have a piece of your art and it is so special that it is of Shiro who we love so much.
Thanks so much for the commission, Dawn!
See more examples of my paintings on the Pet Portraits page and learn about the commission process on the Commissions page.
Shiro in progress
5″ x 5″
oil on aluminum
Robbie in progress
oil on aluminum
17″ x 15″
Painting in a traditional style, takes many layers of paint and lots of time.
Visiting an artist’s studio, you will see multiple painting in the various stages of completion. By first doing a thin coat of paint and mixing more oil medium with my paints for each successive layer (known as working lean to fat), my paintings will last for many hundreds of years without cracking or buckling. Not all artists care about the longevity of their paintings, but for me, I care out of respect for what I’m doing and for the work countless others have done throughout the long history of painting to figure out best practices. It also creates a rich depth that you can’t get with just one layer of paint!
Please take a look at my pet and human portrait galleries and visit my Commissions page to learn more about my commission process!
Octagonal picture frame in progress
Cutting a liner for a custom frame
An artist’s studio isn’t only for painting!
I often hire local framers (my favorite in Seattle is Gallery Frames) but sometimes I like to make and finish them myself. This frame, pictured in multiple parts above, will be for an oval family portrait I made several months ago. It took some brainstorming to figure out the perfect frame I’m really excited for it to be completed!
I hope you’ll check back soon to see how these pieces progress!
Corina, oil on aluminum, 2.25″ x 2.25″
It’s never too late…
Sixteen years after Corinna passed, she is still fresh in the mind of her favorite person. I have been very honored to be given this commission to create a memorial portrait that pays tribute to a sweet and loved little creature.
An image taken in the mid 1990’s and lots of very helpful tips about her unique colors from Aaron, helped me bring her to life on my small disk of aluminum. She has such unusual eyes and fur and I loved mixing such a lovely combination of colors. As the painting began to unfold, I couldn’t help but imagine petting her soft little nose. Thanks you for the commission, Aaron. I hope that this painting helps bring fond memories of your loved little Corinna to you often.
Oh Rebecca, it’s wonderful! That’s Corinna. Expression, subtle pink color, eyes, everything. You did it! I’m blown away. It’s more like her than any photograph. I can see, or feel, that it has a little extra love in there. Thank you.
My latest french bulldog portrait painting traveled across the country and has arrived in his new home.
I’d been looking forward to working on Henry’s portrait and it went almost too quickly! The wait list for one of my painting is currently about eight months. Though it seems like a long time, the anticipation is part of the fun both for clients receiving the paintings and for me to get working on them. What better way to spend your day than to look at that cute little face? I already miss him in the studio.
I found three miniature antique plaster frames and they are to be used for the portraits of two dogs (Oliver and Henry) and a cat (Corinna). For my pet portraits, I mostly work from photos taken by my clients, so I can take commissions from just about anywhere in the world. These three little paintings will split ways and make their independent journeys to California, Pennsylvania and Virginia. If you’re interested in a portrait of your own, please visit my Commissions page to learn about the process or contact me to get started today.
Henry, oil on aluminum, 2.25″ x 2.25″
Just received my portrait of Henri. It’s so small and so perfect! I love it.
Thank you again, Rebecca
Portrait painting of Robbie in progress
Henry (left) and Corinna (right) miniature paintings in progress
I’m very excited to start off the year with three new commissions
I book out my commissions almost a year in advance, so I’ve had months to look forward to working on these paintings. The miniature of Henry and Corinna should go pretty quickly, but Robbie will take more time because not only is it a much larger painting filled with a wide variety of details, painting people is much more difficult than painting animals. I’m especially excited at how the subjects for this month are varied, but so in tune with what I love to paint.
Portrait of Wilson
oil on aluminum
11″ x 14″
I was asked to make a painting of Wilson as a surprise Christmas gift and I loved the assortment of high quality images that I was given to choose from.
Photography is a skill to be mastered just like any other, and his owners have certainly been working hard to perfect their craft. Wilson is a willing muse and he is quick to give the camera his winning smile when asked. He is clearly a very happy and well loved pooch and I enjoyed the opportunity to capture him in oils from images taken when he was out hiking, one of his favorite things to do.
Check out his Instagram account where you can see an assortment of adorable photographs while you follow him on all sorts of adventures.
“I wanted to…let you know that the painting was the perfect gift. Olivia absolutely loved it! I can’t thank you enough for the work you did on it. It goes without saying that you have some very happy customers (Wilson included!)”
Eleanor, pencil on paper, 3.3″ x 5
The holiday season brings mini artwork!
Come by Ghost Gallery to see hundreds of pieces under 12″ made by artists from around the world. There’s an enormous variety of artwork made using different styles and mediums. Go to their website or to Capital Hill neighborhood in Seattle to see them all in person! I’ve been doing lots of drawings lately and have given them some of these to add to the mix.
Lucy, pencil on paper, 4″ x 4″
The White Rabbit – September 2016, oil on copper, 4″ x 4″
A Memorial Portrait: The passing of Ellie
My Ellie passed away quite suddenly this past month. The vet saw her for an eye irritation but found nothing too concerning, just a tiny scratch on her eye. But Ellie died the very next evening. We don’t know why she died so suddenly, but we miss her.
It’s a sad thing, but having so many animals in childhood helped teach me to be thankful, that death doesn’t diminish the gifts of life. Ellie was a sweet friend to her brother Charlie, and I’ll miss her hopping around the house, and snuggling at my feet while I paint. She was a great muse, and it comforts me that I was painting her portrait when she passed for the Monthly Miniature – Into the Country series.
We kept one early painting of Ellie for ourselves, and I’m glad we did. A portrait has a freshness and a life of its own that makes the subject feel close, that keeps them alive and well in our hearts. It’s a hard thing to explain why a painting should feel more significant than, say, the photo it’s based on, but I think it’s the care put into making it. Because it’s a totally unique object, we give it meaning.
Please enjoy the newest painting of Ellie and join me in remembering her fondly. You can find more paintings of her in the Monthly Miniature – Rabbit’s series.
Rest in peace little Ellie! You will be very missed.
Reclining Rabbit – November 2015, oil on aluminum, 4.25″ x 3/25″
“Reclining Rabbit” selected as finalist in Artist’s Magazine annual art competition
I didn’t win the top prize, but it’s still nice to be selected as a finalist from among 7,300+ entries. A selection of finalists will be featured in online and print publications in the coming months, and all of the finalists will be announced in their January/February 2017 issue. I look forward to seeing the line-up, my congratulations to everyone selected!
Works In Progress: Monthly Miniatures ‘Rabbit’ and ‘Honey Bees’, each 4″ x 4″ painted in oil on copper
Busy as a bee! Working on two Monthly Miniatures at once.
Being a new mom means I really have to make good use of my limited studio time, and I have to be ready to use any spare moment. Though I am already the sort of artist to work on several pieces at once, it’s now especially useful for me to have several paintings in the works. Working in oils, one layer has to dry before the next one starts, which means lots of downtime where I can’t work, if I’m only working on one painting at a time. The drying time can be up to three days (‘Titanium White’ is the worst, it can take a week to dry if it’s cold in the studio). Though I only plan to finish the bees this month, I already have a head start on September’s miniature painting, and I’m excited to see it take form (‘Rabbit,’ above)!
Work In Progress, Rabbit Portrait, oil on aluminum, 2″ x 2″
Even more rabbits for a group show in October at Childhood’s End Gallery
I’m really excited to be a part of an anniversary exhibition featuring small works at Childhood’s End Gallery in Olympia this fall. This little guy I found has lots of great colors in his fur, and I’m anxious to finish it! It will be displayed along with two portraits of my rabbits, Charlie and Ellie: I’ll post them all together when they’re ready!
Work in progress, Oil on aluminum, 24″ x 36″
Steady as she goes! Progress on my figurative painting series
Somehow I’ve officially been working on this painting for a year! It’s large and detailed, and there has been a lot on my plate. But I am eager to wrap it up and continue with the series, so I have set a deadline to finish it by the end of the year! Expect to see more progress shots in coming months.