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Miniature Dog Portrait Painting, Softening Loss with Joyful Memories

When I first started painting pet portraits, I never imagined I would paint so many in memoriam. It’s a hard thing to explain why a painting should feel more significant than, say, the photo it’s based on, but I think it’s the care put into making it. I love that all the smiling dogs and bright eyed cats that I’ve painted will be just as happy and alert in their portraits for hundreds of years to come. They will not only bring a moment of joy to their much loved companion, but also to countless generations of viewers after all of us are gone. It’s an honor to make these paintings.

Hicks was one such special dog. I painted his portrait for Megan, whose husband was very close to Hicks. Our time with our pets is brief, but the love we experience is profound. We dread the moment of loss almost from the first, and it is always too soon. I know how it feels to lose a dog so well loved, and I think that is why I never get tired of painting memorial pet portraits.

I have a little portrait of Buster, my favorite companion who I lost six years go, hanging where I can see him every day. His portrait honors our connection and keeps his memory warm in my heart. It also gives me occasion to talk about him more, and tell stories of special memories. Painting it and having it helped me turn my grief at his passing into a celebration of our friendship. If you are considering a similar gift for yourself or a loved one, let me personally encourage you. If you have any questions about it, you may read my Commissions page or reach out to me directly.

From Megan:

Oh my gosh. It’s amazing!! I have tears in my eyes writing this. My husband loved it. It is so beautiful. I can’t thank you enough.

Portraits of a Lady and Gentleman, Formal Portraits of Rabbits in Miniature

Pair of rabbit miniature portraits

Portrait of a Gentleman and Portrait of a Lady, oil on aluminum, 5″ x 5″

Making portraits of rabbits is serious (and silly) business

Living with animals means forming unusual patterns of communication and quite powerful loving bonds. These two bunnies reside in my painting studio and we’ve become quite good friends. I’ve made many paintings of them over the past several years, some silly and some serious. These two paintings take the prize for the most formal in the bunch, however, yet these portraits are also as serious and silly as the rabbits they portray.

17th century Dutch portraits heavily influenced how I composed these portraits. Vermeer’s, “Girl with a Pearl Earring” is a prime example of this type of painting. My fascination for this genre can also be seen in my Into the Country monthly miniatures, created at the same time as these two.

The paintings explore our relationships with animals and their relationships with each other. I’ve spent most of my career painting portraits of people and my portraits of rabbits reflect that. There is an irony in a formal portrait painting of a rabbit because relationships between animals are seen as less legitimate than between humans. And more so this diptych since it anthropomorphizes the bond between this pair. Yet these two rabbits did dearly love each other and the feeling that an animal is “part of the family” is certainty not uncommon. So beyond being both silly and serious, they also feel at once ironic and genuine.

Pet Portrait of a White Cat and the Tradition of Glazing

pet portrait painting of white cat

Shiro
5″ x 5″
oil on aluminum

 

Painting pet portraits is a journey of discovery

Years of training in traditional painting techniques and my past pet portraits form the foundation for each new piece I make. Yet with each portrait I still learn new things. Mixing just the right color still feels like making magic, and finding the precise technique to create a new texture of fur or feathers is an enchanting challenge all its own.

A perfect example is my recent cat portrait of Shiro, a fluffy white fellow with piercing blue eyes. In this case, the key technique to capture the luminosity in those beautiful eyes, as well as the soft sense of fluff, was glazing.

Glazing is a little like magic

Evidence of glazing is found in the earliest examples of painting. The idea is to apply transparent layers of oil paint atop the dried lower layers. I use Gamblin’s Galkyd media for the upper layers of my paintings and when glazing, I increase the medium enough to create transparent layers, which offer a sense of optical depth. This is one reason why painting always look better in person than when reproduced. In reproductions all the colors are flattened out and the transparent layers are lost.

Glazing is typically used in just a few key areas of a painting. The areas of optical depth attract the viewer’s eye more than surrounding areas of opaque paint, so it’s a great way to help direct the eye of the viewer around a composition and create focal points. Gamblin has a list of pigments that are ideal for glazing on their website. I used Phthalo Blue, Phthalo Green, and a touch of Indian Yellow in Shiro’s eyes.

From Dawn:

We absolutely love the picture.  You rendered him so beautifully!  We have a special spot in the house to hang the picture so we can look at it every day and it looks amazing.

Thank you again.  It is such an honor and a treat to have a piece of your art and it is so special that it is of Shiro who we love so much.

Thanks so much for the commission, Dawn!

See more examples of my paintings on the Pet Portraits page and learn about the commission process on the Commissions page.

March In the Artist’s Studio: Commissioned Paintings and Custom Frames

pet portrait painting of cat in progress by Rebecca Luncan

Shiro in progress
5″ x 5″
oil on aluminum

Child Portrait painting in progress by Rebecca Luncan

Robbie in progress
oil on aluminum
17″ x 15″

Painting in a traditional style, takes many layers of paint and lots of time.

Visiting an artist’s studio, you will see multiple painting in the various stages of completion. By first doing a thin coat of paint and mixing more oil medium with my paints for each successive layer (known as working lean to fat), my paintings will last for many hundreds of years without cracking or buckling. Not all artists care about the longevity of their paintings, but for me, I care out of respect for what I’m doing and for the work countless others have done throughout the long history of painting to figure out best practices. It also creates a rich depth that you can’t get with just one layer of paint!

Please take a look at my pet and human portrait galleries and visit my Commissions page to learn more about my commission process!

Octagonal picture frame

Octagonal picture frame in progress

Artist Rebecca Luncan cutting a liner for a custom frame on a scroll saw

Cutting a liner for a custom frame

An artist’s studio isn’t only for painting!

I often hire local framers (my favorite in Seattle is Gallery Frames) but sometimes I like to make and finish them myself. This frame, pictured in multiple parts above, will be for an oval family portrait I made several months ago. It took some brainstorming to figure out the perfect frame! See the post with the completed frame.

I hope you’ll check back soon to see how these pieces progress!

Pet Portrait in Memory of Corinna, the Yellow Eyed Cat

oil Portrait painting miniature of Cat by Rebecca Luncan

Corina, oil on aluminum, 2.25″ x 2.25″

 

It’s never too late…

Sixteen years after Corinna passed, she is still fresh in the mind of her favorite person. I have been very honored to be given this commission to create a memorial portrait that pays tribute to a sweet and loved little creature.

An image taken in the mid 1990’s and lots of very helpful tips about her unique colors from Aaron, helped me bring her to life on my small disk of aluminum. She has such unusual eyes and fur and I loved mixing such a lovely combination of colors. As the painting began to unfold, I couldn’t help but imagine petting her soft little nose. Thanks you for the commission, Aaron. I hope that this painting helps bring fond memories of your loved little Corinna to you often.

From Aaron:

Oh Rebecca, it’s wonderful! That’s Corinna. Expression, subtle pink color, eyes, everything. You did it! I’m blown away. It’s more like her than any photograph. I can see, or feel, that it has a little extra love in there. Thank you.

 

Big Henry, meet little Henry! A French Bulldog Portrait Painting Miniature

French Bulldog portrait painting miniature by Rebecca Luncan

Henry at his new home

My latest french bulldog portrait painting traveled across the country and has arrived in his new home.

I’d been looking forward to working on Henry’s portrait and it went almost too quickly! The wait list for one of my painting is currently about eight months. Though it seems like a long time, the anticipation is part of the fun both for clients receiving the paintings and for me to get working on them. What better way to spend your day than to look at that cute little face? I already miss him in the studio.

I found three miniature antique plaster frames and they are to be used for the portraits of two dogs (Oliver and Henry) and a cat (Corinna). For my pet portraits, I mostly work from photos taken by my clients, so I can take commissions from just about anywhere in the world. These three little paintings will split ways and make their independent journeys to California, Pennsylvania and Virginia. If you’re interested in a portrait of your own, please visit my Commissions page to learn about the process or contact me to get started today.

French bulldog Pet portrait painting by Rebecca Luncan

Henry
oil on aluminum
2.25″ x 2.25″

 

From Sandy:

Just received my portrait of Henri. It’s so small and so perfect! I love it.

Thank you again, Rebecca

On the Easel: January Commissions

Child Portrait painting in progress by Rebecca Luncan

Portrait painting of Robbie in progress

 

French bulldog and Cat miniature portrait paintings in progress by Rebecca Luncan

Henry (left) and Corinna (right) miniature paintings in progress

I’m very excited to start off the year with three new commissions

I book out my commissions almost a year in advance, so I’ve had months to look forward to working on these paintings. The miniature of Henry and Corinna should go pretty quickly, but Robbie will take more time because not only is it a much larger painting filled with a wide variety of details, painting people is much more difficult than painting animals. I’m especially excited at how the subjects for this month are varied, but so in tune with what I love to paint.

I hope you’ll check back to see how the paintings progress and you can see some finished pieces in the Portraits gallery and Pet Portraits gallery.

Pet Portrait of Wilson, quite possibly the most charismatic dog in Washington

Pet Portrait Painting of Wilson the Golden Retriever by Rebecca Luncan

Portrait of Wilson
oil on aluminum
11″ x 14″

I was asked to make a painting of Wilson as a surprise Christmas gift and I loved the assortment of high quality images that I was given to choose from.

Photography is a skill to be mastered just like any other, and his owners have certainly been working hard to perfect their craft. Wilson is a willing muse and he is quick to give the camera his winning smile when asked. He is clearly a very happy and well loved pooch and I enjoyed the opportunity to capture him in oils from images taken when he was out hiking, one of his favorite things to do.

Check out his Instagram account where you can see an assortment of adorable photographs while you follow him on all sorts of adventures.

From Andrew

“I wanted to…let you know that the painting was the perfect gift. Olivia absolutely loved it! I can’t thank you enough for the work you did on it. It goes without saying that you have some very happy customers (Wilson included!)”

Animal Portraits in a Mini Art Exhibit!

animal portrait rabbit art miniature drawing on paper by Rebecca Luncan

Eleanor, pencil on paper, 3.3″ x 5″

The holiday season brings mini artwork!

Come by Ghost Gallery to see hundreds of pieces under 12″ made by artists from around the world. There’s an enormous variety of artwork made using different styles and mediums. Go to their website or to Capital Hill neighborhood in Seattle to see them all in person! I’ve been doing lots of drawings lately and have given them some of these animal portraits to add to the mix.

animal portrait calf art miniature drawing on paper by Rebecca Luncan

Lucy, pencil on paper, 4″ x 4″

Memorial Portrait: An Unexpected Loss

The White Rabbit, Oil painting miniature by Rebecca Luncan

The White Rabbit – September 2016, oil on copper, 4″ x 4″

A Memorial Portrait: The passing of Ellie

My Ellie passed away quite suddenly this past month. The vet saw her for an eye irritation but found nothing too concerning, just a tiny scratch on her eye. But Ellie died the very next evening. We don’t know why she died so suddenly, but we miss her.

It’s a sad thing, but having so many animals in childhood helped teach me to be thankful, that death doesn’t diminish the gifts of life. Ellie was a sweet friend to her brother Charlie, and I’ll miss her hopping around the house, and snuggling at my feet while I paint. She was a great muse, and it comforts me that I was painting her portrait when she passed for the Monthly Miniature – Into the Country series.

We kept one early painting of Ellie for ourselves, and I’m glad we did. A portrait has a freshness and a life of its own that makes the subject feel close, that keeps them alive and well in our hearts. It’s a hard thing to explain why a painting should feel more significant than, say, the photo it’s based on, but I think it’s the care put into making it. Because it’s a totally unique object, we give it meaning.

Please enjoy the newest painting of Ellie and join me in remembering her fondly. You can find more paintings of her in the Monthly Miniature – Rabbit’s series.

Rest in peace little Ellie! You will be very missed.