Nine on the Beach: a Portrait of More than a Person

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9-on-beach

“Nine on the Beach”, oil on aluminum, 14″ x 14″

A first-person perspective captures the intimacy of a unique moment.

This image is so rich in textures to explore, from the surface of the water over the rippled sand, to the skin and all the various textiles. But what really makes this painting special is the story that inspired it and brought nine people together for a day to remember.

When I was first approached to make this painting, I admit I was a little skeptical. My client mentioned that he had taken the image the previous weekend and wanted a portrait made from it, with some slight modifications. It seemed like such a casual request to warrant countless hours making a painting that will last hundreds of years. I was compelled enough by the image to do a mock-up and give an estimate, yet I was curious, what made this image so special?

When my client accepted the estimate, he gave me the backstory:

Detail-9-on-beach

This image is from this past Saturday when we scattered my Mother-in-law’s ashes at the beach and I shot this photo when we were all standing in a circle before the ashes were scattered.  My idea of this painting is to give my wife a gift and a memorial from a really beautiful day.  Part of what I like are how different all of our feet are, dress shoes and suit from the service bare feet, etc. The idea of the seagull is a representation of Jean in the middle of us.

The story was so moving that it completely transformed my perspective on the commission, from being slightly skeptical to feeling deeply honored. What a stunning reminder of the power of a story to give meaning, that a few words of insight into a shared experience can make an image so deeply moving.

What a beautiful memorial, and what a loving husband to bring the idea to life.

 

framed-9-on-the-beach-Chris-Cummings

The final painting, framed and ready to gift wrap

Charlie Poses as Peter Rabbit for January’s Monthly Miniature Painting

by In Inspiration Tagged , , , , , , ,
rabbit oil painting peter

Charlie as Peter Rabbit – January 2016, oil on aluminum, 4″ x 5″

Charlie posing on a garden path one sunny day last spring reminded me of the story of Peter Rabbit.

 

Rabbits are very curious creatures, and exploring (and getting into trouble) is just part of being a rabbit. I listened to an audiobook of Peter Rabbit to inspire me when I started the series and Charlie must have been listening too to strike such a pose after knocking over the watering can.

Pet Portrait of Lucy in time for the Holidays

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Labradoodle pet portrait oil painting Rebecca Luncan

Lucy, oil on aluminum, 3″ x 4″

The portrait painting of the white Labradoodle, Lucy, has made it’s 2,000 mile journey in time for Christmas

I enjoy the searching process in a commission: finding out what my patron likes in my work, how they see themselves or their loved one, how I see them, and how I can portray that. The back-and-forth collaboration that finally materializes in a painting is such a rewarding experience, and I am so thankful for each person who gives me the opportunity to do such satisfying work.

From Carrie:

I absolutely love it! Thank you so much. I can’t wait for my parents to see it!

Later she let me know that her parents loved it too. Thank you, Carrie!

Snow Rabbit Painting is Open for Bidding!

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Snow Rabbit oil painting miniature by Rebecca Luncan

Snow Rabbit – December 2015, oil on aluminum, 3.75″ x 5″

 

December’s Monthly Miniature painting auction is now live!

Half of the proceeds from the sale of this painting will be donated to Special Bunny and Seattle Animal Shelter Foundation. Please visit my Facebook event to bid and to follow the auction over the next week. The auction will close on Sunday, December 13th at 5:00 PM Pacific time.

Thank you for your interest!

September Miniature Painting, Life with Rabbits in the Studio

by In Studio Notes Tagged , , , , , ,
Studio Rabbits, oil painting by Rebecca Luncan

Studio Rabbits – September 2015, oil on aluminum, 5.25″ x 3.75″

A glimpse into the artist’s studio, halfway through the “Monthly Miniature – Rabbits” series

I live on a quarter acre just north of Seattle and this is where you’ll find my studio, in a converted garage at my house. I love having company in the studio while I paint, and some of that company is very furry. My dog Mona curls up neatly behind me and keeps me warm (it can get chilly in Seattle), and rabbits Charlie and Ellie lie on the rug at my feet. It’s a good thing I wear grubby painting clothes anyway, because the rabbits nip at my pant legs to remind me when it’s dinner time. There are plants and birds to see out windows on two sides. Today there are stellar jays feeding on sunflowers.

Though they have the run of the house, the rabbits spend most of their time in the studio. When not under my desk, Ellie naps in her favorite blue chair. Charlie likes to flop on his side on a rug near the wall. And they both like to sit in the windowsill looking out. I love when I’m picking strawberries in the front yard, and I hear people walking by exclaiming, “Oh my gosh, there’s a rabbit in the window!” Sometimes I open the back door and let them roam the yard, but Ellie has become a cunning escape artist, so they’re on house arrest until the yard is better secured. It would also help if the neighbor behind us could resist tempting them with carrot treats.

At 17′ x 24′ it’s a big space for someone working so small, but it’s very full of framing supplies and tools, painting and drawing supplies, lots of art books, and printers. The walls are lined with finished paintings and works in progress. I usually have around six paintings at various stages of completion, in addition to handpicked frames and prepared metal surfaces for at least 20 more. In this month’s “Studio Rabbits” painting, you can see three paintings from my “Open, Closed, Away” series hanging in the background.

I finally convinced my soon-to-be husband (and editor, web developer and photographer) to move his office from a spare room to a corner of the space in here. It’s a big room, and he doesn’t seem to mind having a giant mat/glass cutter mounted to the wall in his area. So far it has been working great, but I hope we’ll be able to keep it warm enough in the winter. My little space heater can only do so much! But we’ll figure that out when the time comes. The bottom of his pants are as yet mostly intact. (There’s a cozy rug under my desk, and I give them more treats.)

 

Commissioning a Pet Portrait: the Owner’s Connection

by In Pet Portrait Tagged , , , , , , ,

Cat pet Portrait oil painting Rebecca LuncanCreating a pet portrait that communicates its personality is often a collaborative process with the owner that knows and loves them best.

Leo was an ideal model for a pet portrait painting. He’s a very sweet and patient kitty that loves to be photographed. I spent an evening with him and took dozens of photos and I thought I had several that captured his happy personality. But for Liz, his owner, there was something not quite right, though we couldn’t pin down what.  Two months later, Liz sent me more images of him, showing a very different kitty. His coat changes throughout the seasons, and it was now in full fluff! This was her Leo.

Leo, take one

Leo, take one

It’s often hard to describe the little details that express the personality of a loved one, but you notice when it’s not there. Most artists have you approve the final design before they being painting and if somethings doesn’t seem right, don’t hesitate to let the artist know. It’s much better to rework the initial design than have an unhappy patron.

Want to learn more about the painting process? Take a look at the underpainting for Leo and see more detail and in-progress images on Instagram. And if you look closely in the wood chips, you’ll find a little friend hiding on a leaf.

Please take a look at my commissions page for information about commissioning your own portrait and visit the pet-portrait and portrait gallery to see more examples of past commissions.

 

Father’s Day

by In Inspiration Tagged , , , , , ,

Portrait of father Rebecca Luncan

My father gave me a foundation, not only in art, but in all I hold dear.

An extremely social person and an engineer by trade, my father was my earliest influence as an artist, gardener, and animal lover (we had bunnies, dogs, and cats, a pig, goats, chickens, horses, pigeons, and probably more that I’m forgetting). Dad took art classes throughout college and always kept up drawing when he could. When I was little, I loved studying his drawing exercise books and sketchbooks. I remember one book in particular that had printed at the bottom of every page, “you learn to draw by drawing,” and that mantra has always stayed with me.

By the time I went to college, my dad’s Multiple Sclerosis had progressed pretty far, but I know he would have supported me in my decision to be an artist. Above is a paining I did of him while in art school, when my style of painting was much looser (I’ve been painting on metal since my junior year). My passion for making things, and for nature bonds me to my father and keeps the sharp and lively man from my childhood strong in my mind and heart.

I love him dearly and I’m thankful to everyone back home that helps take care of him. Especially my sister, Theresa, who diligently and lovingly visits several times a week and whose FaceTime calls from the nursing home make him seen not so far away.  My aunt Carla recently found and framed the certificate below for him from when he was the Art Club President in high school.

DadDocument

Follow the White Rabbit! June Monthly Miniature and my Social Media Journey

by In The Studio Tagged , , , , , ,
White rabbit oil painting Rebecca Luncan

The White Rabbit
oil on aluminum
4 1/2″ x 3 1/4″

I’ve been following the white rabbit down the social media rabbit hole, and with every post, I’m growing out of my social media dread.

Until this past year, my social media presence was limited to a Facebook account with 5 posts, ever. But a lot has happened since then, and I’ve started a Facebook business page, this blog, an Instagram account and registered as a business on Yelp and  Google+. Most recently, I have even started a Newsletter to help friends, fans and fellow artists follow my Monthly Miniature rabbit paintings or get updates on my blog. Phew!

I love people, but putting myself out there on the internet was an emotional hurdle. As a social media novice, the first few posts were extremely difficult, and the “post/publish” button would fill me with dread and anxiety. But with time and practice, it has gotten MUCH easier. Reading other blogs has taught me that consistency makes a huge difference and I’m finding it’s not just for the typical reasons such as people looking for new content. Constancy also helps keep me on track and allows me to think about meeting my goals instead of thinking about my fears.

Now I actually feel pretty good when I get something up. Connecting with people in a real world kind of way is part of what I live for. The sharing is starting to feel much less like I’m exposing myself and more like I’m connecting, largely due to all the support that I’ve gotten from everyone out there. Heartfelt thanks to everyone looking, sharing and buying, and to everyone enjoying my newsletter. And special thanks to everyone commenting and leaving reviews. It lets me know I’m on the right track.

If you are a beginning blogger or artist, or you are thinking about starting a blog, my advice is to dive right in. Do the best you can this time, and then do it a little better next time. There is so much to know that you can’t learn it all ahead of time, and so much is just conquering your fear.

 

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Painting on Copper – May Monthly Miniature

by In Materials and Techniques Tagged , , , , , , , ,

My second Monthly Miniature of Charlemagne the rabbit, follows a 500 year tradition of painting on copper primed with a clove of garlic.

Lavinia_Fontana_-_Self-Portrait_in_a_Tondo_-_WGA7986

Lavinia Fontana (1552-1614)-Self-Portrait in a Tondo, 1597, oil on copper

Paintings on copper have been made by European artists since the mid 1500’s. Many examples from those first few hundred years survive even better than their canvas and wood panel counterparts.

Then as now, copper surfaces are first lightly sanded, cleaned with denatured alcohol, and topped with an optional layer of garlic juice. Garlic juice etches the surface of the copper and it’s most effective if followed by a coat of lead white. The process hasn’t changed over the years, except many more artists today (myself included) avoid the highly toxic lead white paint.

Artists don’t often get to grow their own art supplies. The garden is another huge creative outlet for me, and now a tiny bit of it is in this painting.

Fearsome Bală stalking in the garlic patch, Photo credit: Evan Grim

My cat, Bală stalking in the garlic patch, Photo credit: Evan Grim

Check out Alberti’s Window, An art History Blog for an in depth discussion about Lavinia Fontana’s self-portrait above in reference to her being a female painter in the 1500’s.

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Bride of Frankenstein Painting Complete – She’s Alive!!

by In Portrait Tagged , ,
Mismatched Portrait (Bride of Frankenstien) Oil Painting by Rebecca Luncan

Mismatched Portrait (Bride of Frankenstien) Oil on aluminum, 4″ x 6″

An unusual portrait commission, but I would expect nothing less from the best college roommate a gal could have.

A portrait commission of Elsa Lanchester in her brief but iconic role in the 1935 version of  The Bride of Frankenstein is finished! The painting started out as almost entirely monochromatic in the style of my Mismatched Portraits, with a predominate indigo pallet but I added just a touch of dark maroon. When almost finished, I began adding bright cadmium red in the darkest blacks. I love adding straight cadmium red in very small brushstrokes. It’s a thrill to me that a color that intense can become rather subtle. It’s like a secret.

Thank you for the commission, Jennifer! I hope you like it! It was so nice to make it just for you.

 

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