Golden Retrievers are known for their gentle, loving nature, and I’ve been fortunate to paint several over the years. Not long before this commission, I completed a portrait of Hazel, a Golden who lived to the remarkable age of nineteen. Painting Joey soon after felt like the start of a new journey: where Hazel’s portrait reflected the depth of a long, cherished life, Joey’s radiates the brightness of youth and the promise of years ahead. My hope is that his life will be just as full, with an endless supply of love flowing both ways.
A Miniature with Big Detail
This portrait, painted on copper, measures just 4 × 4 inches — the smallest size I currently offer. Though intimate, it leaves room for detail, including the Seattle skyline in the background as a nod to Joey’s hometown. The copper surface adds warmth and depth, complementing his golden coat.
A Gift of Love
Joey’s portrait was commissioned by Lori as a holiday gift for her husband. When she received the finished piece, she wrote:
“It’s incredible in person, you are beyond talented! I can’t thank you enough.”
Come wish me happy birthday at the opening of “Small Works Show”, Thursday, December 5th! The exhibition includes a wide array of subjects, styles and mediums including: painting, photography, printmaking, and mixed media works. I’ll have four painting in the show.
Harris/Harvey Gallery 1915 First Ave, Seattle, WA 98101 Tues – Sat 11:00 am – 6:00 pm; Mon by appointment 206.443.3315 December 5, 2019 – January 4, 2020 Opening Reception: Thursday, December 5, 6 – 8 p.m.
New Still Life Paintings
I’ll have two still life paintings in the show that have never been exhibited before. One is a painting of raspberries and insects that is part of my Monthly Miniature series form 2019, In Season. You can learn more about this painting on my blog. The other is from an ongoing larger still life series.
Anita’s Insects
oil on copper, 5″ x 5″
5″ x 5″
“Pears and Japanese Porcelain”, oil on aluminum, 8″ x 10″
I picked dozens of bartlett pears from the garden this year and we hatched painted lady butterflies from a kit my friend gave to my son for his birthday. I choose the a bowl from the Seattle Art Museum collection that I used in a still life earlier this year Brussels Sprouts and Porcelain Bowl . I spent a year making mounts for the porcelain room at the Seattle Art Museum and fell in love with porcelains. This bowl features “three goats (yang) and the Three Friends of the Cold Season (pine, blossoming plum, and bamboo) all carrying a message of renewal appropriate to the beginning of the new year. Winter ends and spring arrives; yin is on the wane and yang is on the rise, heralding the rebirth of nature.” I chose a different goat for this painting.
Rabbits in the Forest
I have two rabbits and have done more than a dozen painting of them. They were the focus for my first Monthly Miniature series and, years after finishing that series, they still find their way into my work. My indoor rabbits moved to an outdoor run last year and my rabbit paintings have likewise gone from interior settings to the wild outdoors.
Forest Floor with Rabbits, oil on aluminum, 5″ x 5″
A Silent Gathering (Aspen and Hare), oil on aluminum, 6″ x 4″
Breakfast takes center stage in November’s miniature still life painting featuring waffles, apples, small floral arrangement and red dragonfly. I love breakfast. I believe starting every day with a nice leisurely breakfast is absolute perfection. I’ve spoiled my three year old son to believe the same. When asked what he wants for breakfast his reply is usually, “scrambled eggs, pancakes and bacon”. And that’s usually what he gets. Special occasions substitutes the pancakes for waffles.
Dutch still life paintings of breakfast are nothing like the photos of food you see online. Photos of food never seem that appealing to me, but the paintings are delicious. Antoine Vollon’s painting of “Mound of Butter” from the 1800’s was on view at the Seattle Art Museum a few years and it was a feast for the eyes. If they could make a small mountain of butter look delicious, you have to see paintings of eggs and waffles.
Finding My Models: Waffles, Blooms and Insects
I knew I wanted the waffles to sit on one of the Dutch silver plates used in so many of my favorite paintings and my own waffle iron is very special to me. It’s an antique cast iron waffle maker from the 1800’s that my sister gave to my years ago, but my circular waffles just weren’t working. It had to happen, but it felt so wrong to buy rectangular frozen waffles to pose for the paintings when I love my own waffle maker so much. But for art, we suffer. I’m kidding, the waffles were delicious. 🙂
I was having a hard time finding flowers in bloom in November and was about to give up. I take ballet classes from The Ballet Studio in the University district in Seattle and I looked out the window while at the barre to see a flower box in full bloom. Kristen, my teacher gave me a pair of scissors after class and let me bring home some of her last remaining blooms for the painting. I’m amazed I found roses blooming in November, but Seattle is a pretty special place.
The red dragonfly is a frequent visitor to my backyard. I live near several likes north of Seattle in Lynnwood. One summer my husband wore red swim trunks while going for a swim and he was surrounded by dozens of them as he floated.
Hope you enjoy the painting and hope you have a happy holiday season!
Go to my Monthly Miniatures page to see the whole series. Sign up to my monthly newsletter for upstate and for the chance to purchase paintings before they’re public on the site.
I was commissioned by Jason to create two portraits, each with its own story and significance. The first was a gift for his sister, capturing her beloved golden retriever, Hazel. Hazel had shared a lifetime of love devotion, and in her portrait I wanted to preserve her warmth and tenderness.
Hazel, oil on aluminum, 8″ x 8″
The second portrait was of Jason’s own dog, Turbo, a black and white French Bulldog with a big personality. Though only 4 × 4 inches in size, his painting is packed with vitality and presence.
Turbo, oil on aluminum, 4″ x 4″
Classical Inspiration
Both portraits were painted with the traditions of the Dutch Golden Age in mind. The subtle green-grey backgrounds, inspired by classical portraiture, create a timeless setting that allows the dogs’ individual characters to shine. With Hazel, I was most inspired by the gentle expression in her eyes. With Turbo, it was his the look of intelligence and spark that caught my attention.
Lasting Legacies
Between the time these portraits were first designed and when they were completed, both Hazel and Turbo sadly passed away. Their loss underscores why I am so passionate about creating pet portraits. Our animal companions give us so much, and through painting, I strive to ensure their presence endures for generations. Though Hazel and Turbo are no longer here, their portraits will live on as cherished reminders of the love they gave and received.
From Jason:
“I got them today! We are in love! Thank you so much, such talented work!!”
If you’re interested in celebrating your own companion with a custom portrait, please visit my Commissions page. You can also explore more Pet Portraits and learn about the traditions of Dutch Golden Age painting that inspire my work.
As the flowers and trees fade and die back, fall is the perfect time for a miniature vanitas painting. Vanitas paintings were created long before and after they became a common genre in Netherlandish art of the 16th and 17th centuries. They are symbolic and are meant to remind us of the inevitability of death or change.
My grand show of color and life punctuates the shift toward winter, one last “Hurrah!” from the warmer seasons. The hint of the coming winter is found in the tiny, almost hidden hummingbird skeleton. But if you dig into the meaning of the items in the painting, you’ll find that both the cut flowers and skeleton symbolize the same things – death or transience. The cut flowers are preserved my painting in full bloom glory, but they began to fade even before I’d finished the paintings. But don’t worry, the butterflies are a symbol of regeneration, resurrection and the cycle of life. Everything’s going to be fine.
Hope you enjoy my newest miniature vanitas and I hope you’re keeping warm and healthy. Thanks to the flowers of my garden, to the dahlia garden at Volunteer Park, and to my sister-in-law for the hummingbird skeleton and the biggest dahlia I’ve ever seen. And a big thank you to you for your continued support.
Go to my Monthly Miniatures page to see the whole series! Sign up to my monthly newsletter for upstate and for the chance to purchase paintings before they’re public.
My English Spot rabbit, Harriet, makes her debut in my newest monthly miniature painting. I was inspired by the forest still life paintings of Otto Mardeus van Schrieck a Dutch painter from the 1600’s.
Otto Mardeus van Schrieck
Otto Marseus van Schrieck, Snakes, toads and butterflies, 1639, oil on canvas, 24″ x 19.2″
Van Schrieck’s paintings juxtapose light and dark. A sinister snake might lurk in the gloomy foreground while a radiant bloom or a moment of light glows from the background. The New York Times published an article about a new book that explores his work last November. It’s a really colorful read, and I highly recommend taking a look, if only to see some of his fascinating paintings.
Though some elements in my painting come directly from the careful study of a work of van Schrieck’s, I definitely took a lighter approach to my painting. I told my husband that, “I didn’t have such severe subject matter in me.” But after the painting was finished and signed, filled with flowers that reminded me of my family, a mountainous landscape that reminds me of my Pacific Northwest home, and insects, frogs and rabbits that remind me of my childhood, I had a miscarriage. It was the fifth since my son was born three years ago. After finding out, I picked up my paint brush and added a snake. I’m doing fine and my spirits are higher by the day. It’s just interesting, after all these years of painting, to recognize how much of myself I put into each one, however subtle or unconscious.
I hope you enjoy this month’s painting. Take a look below for some detail images. The Silvery Blue butterflies were particularly trying on the eyes!
Still life paintings, both universal and highly individualized
For my Into the Country monthly miniature series from a few years ago, I included one still life with plums and bees (pictured below) in the mix of portraits of animals. This was the first still life painting I’d done since art school, and it helped direct the focus for this years series, “In Season”. This is my eighth painting of this years still life series. I find the still life to be one of the most universally accessible genres of painting. I was amazed to find that still life paintings are also quite personal. Each item I place in my composition is carefully chosen and has personal meaning to me and I hope to my viewers as well.
From the Garden
My Japanese plum tree is the star of my little quarter-acre garden. Almost every August, I get around 2,000 plums from my one tree. Over the years my incredibly juicy plums have been eaten as is (watch out for juice going everywhere!), been made into jam, wine, sweet bread, liqueur, filled up my freezer for winter enjoyment and now they’re models for paintings.
The yellow of the plums make them the perfect companions to the equally golden and plentiful swallowtail butterfly. Swallowtails are found all over the world, and the Western Tiger Swallowtail I’ve featured in my painting makes its dazzling appearance in the Seattle area. And swallowtail butterflies are always fluttering around the garden. One friend said he’s never visited my garden without seeing at least one. This painting feels like distilling some of the beauty and magic of my garden.
Into the Country- Honey Bees, oil on copper, 4″ x 4″
Excited to announce that I will have four new paintings available in Arcadia Contemporary’s annual “Five and Under” exhibition opening this Saturday! Please go to Arcadia Contemporary’s website for more information and email info@arcadiacontemporary.com to inquire about available works!
In art school I was known as the “bug girl” because almost all of my painting had insects in them. Insects were a huge inspiration, and though they are no longer the primary focus on my work, they have continued to appear in my paintings throughout the years. I find that the closer that I look at the insect I’m painting, the more I feel a sense of empathy for it. I imagine a personality in there, and wonder about the history of it’s life.
My insect collection has been with me since my art school days. Some of my insects were gifts from Cincinnati Zoo entomologists, while others I sought out myself. I learned to pin insects from a friend I met at the frame shop where I used to work.
Anita’s Insects
The insect specimens in this painting are from a very special part of my collection. These creatures came from three prized boxes put together by photographer Anita Douthat when she was a girl in Northern Kentucky. I knew Anita through her husband Cal Kowal, who was my photography teacher at the Art Academy of Cincinnati.
Still life paintings can tell a secret story through the symbolism of their elements. These pale raspberries grow in my garden and are symbols of kindness. The shell came from my husband’s pocket (he’s always collecting shells and rocks on his adventures) and are a symbol of birth and fortune. Insects are all around us, yet their forms, life cycles, and social structures couldn’t be more different than our own. Dragonflies symbolize change, and grasshoppers luck. Bees have had close ties with humanity and throughout the ages have variously stood for power, love, and industry. All of these types of insects can be found in the Northern Kentucky region where my models were originally collected over forty years ago (I exaggerated the blue in the dragonfly which was quite faded).
This painting is 5″ x 5″, oil on copper. Go to the Monthly Miniature page to see more of the paintings from the series, In Season.
Jan van Kessel the Elder, Flemish still life master that inspired this months painting
A Dragon-fly, Two Moths, a Spider and Some Beetles, With Wild Strawberries, Oil on copper; 9 x 13 cm
Jan van Kessel the Elder had big shoes to fit into. He was the great-grandson of Pieter Bruegel, who is cited as the most significant artist of Dutch and Flemish Renaissance painting. His grandfather Jan Brueghel the Elder, was a close friend and collaborator with Peter Paul Rubens and the two artists were the leading Flemish painters in the first three decades of the 17th century. Not to mention his uncles and great uncles… Let’s just say, he came from a family that made a big and lasting impact on the art scene.
Starting his training at the age of nine, he was particularly influenced by the work of his grandfather and was quite versatile. He worked in many genres including studies of insects, floral still lifes, marines, river landscapes, paradise landscapes, allegorical compositions, scenes with animals and genre scenes.
I was drawn to his insect still life paintings by his playful compositions that fill every section of the page, while carefully balancing color and shape in a seemingly effortless manner. The results of his carefully painted tiny subjects do not come across as cold scientific illustrations, but instead are warm and lively portraits. And if that weren’t enough, he also painted these miniature still lifes on copper (my hero!).
Nine artists from the Pacific Northwest created artwork for this small works show and I made the trip down to Olympia to join some of them for the opening. Though the mediums varied wildly with ceramics, oils, watercolors, acrylics, drawing, etc., all of the pieces were created by women. I got to see some familiar and dear faces while meeting some new lovely people at the opening.
Go to my last post to see all of the pieces I have in the show and go to the gallery website to purchase a piece.
Artist Rebecca Luncan at the Small Works Opening, photo by Darcy Goedecke
About Childhood’s End Gallery
“Since 1971 Childhood’s End Gallery has been a leading source for fine art and American craft. Located along the waterfront in historic downtown Olympia, we feature the work of hundreds of artists and craftspeople. Our selection of items includes functional and decorative work in a variety of media including art glass, ceramics, woodwork, metalwork, jewelry and a wide range of fine art and reproductions.”
The gallery is divided to showcase fine art on one side and hand made American crafts on the other. Both the space and the gallerists are gems and definitely worth a visit.
Visit the gallery:
Childhood’s End Gallery is located at the corner of 4th Avenue and Water Street in downtown Olympia, Washington. Olympia is located 1 hour south of Seattle, Washington and 2 hours north of Portland, Oregon along the Interstate 5 corridor.
