Breakfast takes center stage in November’s miniature still life painting featuring waffles, apples, small floral arrangement and red dragonfly. I love breakfast. I believe starting every day with a nice leisurely breakfast is absolute perfection. I’ve spoiled my three year old son to believe the same. When asked what he wants for breakfast his reply is usually, “scrambled eggs, pancakes and bacon”. And that’s usually what he gets. Special occasions substitutes the pancakes for waffles.
Dutch still life paintings of breakfast are nothing like the photos of food you see online. Photos of food never seem that appealing to me, but the paintings are delicious. Antoine Vollon’s painting of “Mound of Butter” from the 1800’s was on view at the Seattle Art Museum a few years and it was a feast for the eyes. If they could make a small mountain of butter look delicious, you have to see paintings of eggs and waffles.
Finding My Models: Waffles, Blooms and Insects
I knew I wanted the waffles to sit on one of the Dutch silver plates used in so many of my favorite paintings and my own waffle iron is very special to me. It’s an antique cast iron waffle maker from the 1800’s that my sister gave to my years ago, but my circular waffles just weren’t working. It had to happen, but it felt so wrong to buy rectangular frozen waffles to pose for the paintings when I love my own waffle maker so much. But for art, we suffer. I’m kidding, the waffles were delicious. 🙂
I was having a hard time finding flowers in bloom in November and was about to give up. I take ballet classes from The Ballet Studio in the University district in Seattle and I looked out the window while at the barre to see a flower box in full bloom. Kristen, my teacher gave me a pair of scissors after class and let me bring home some of her last remaining blooms for the painting. I’m amazed I found roses blooming in November, but Seattle is a pretty special place.
The red dragonfly is a frequent visitor to my backyard. I live near several likes north of Seattle in Lynnwood. One summer my husband wore red swim trunks while going for a swim and he was surrounded by dozens of them as he floated.
Hope you enjoy the painting and hope you have a happy holiday season!
Go to my Monthly Miniatures page to see the whole series. Sign up to my monthly newsletter for upstate and for the chance to purchase paintings before they’re public on the site.
For latest painting in my series of Monthly MIniature’s I painted a bowl of brussels sprouts inspired by the works by Adriaen Coorte (ca. 1665 – after 1707).
With each of these paintings, I learn more about the Northern European still life tradition and I was drawn to the simplicity of Adriaen Coorte’s compositions. Because of my classical art training and experience of working at an art museum, I can usually identify the artist or at least the era in which a painting was made. Adriaen Coorte’s paintings are easily identifiable in the genre of Dutch Still Lifes because his paintings are unusually unpretentious. Many painting from the era have extravagant compositions, featuring priceless (at the time) tulips with a riot of color. By contrast, his painting are quiet and incredibly tender.
His painting of a bowl full of strawberries became the inspiration for my painting of brussels sprouts. I chose a bowl from the collection of the Seattle Art Museum, where I work part time, and picked brussels sprouts from my garden (just about the only thing in the garden in February!).
Learn more about my painting, “Brussels Sprouts and Porcelain Bowl” in an earlier blog post and see all of the paintings in the series on the Monthly Miniature gallery page. You can also sign up for my newsletter to see each painting right when they are finished and get the first opportunity to purchase, a day before it goes public on the web site.
Adriaen Coorte, Wild Strawberries in a Wan Li Bowl, Oil on paper, mounted on wood, 11 5/8 x 8 7/8
I’ve always loved Art Museums and have been working at the Seattle Art Museum for 13 years. It seems as though I’ve gotten to install paintings by just about everyone that has graced an art history book with my own two hands. It’s been inspiring to see the works up close, but it’s also wonderful to work with so many other artists who help contribute insight into the work at the museum and my own artwork. It was actually a SAM exhibition that rekindled my love of Dutch still-life paintings, “European Masters: The Treasures of Seattle”.
My first year at the museum was spent just making mounts for the porcelain room. Because of my connection to SAM, including porcelains in this series feels natural. I’ve chosen to include this exquisite 16th century Jingdezhen-ware porcelain bowl from SAM’s collection. It’s perfect for the month of February. It features “three goats (yang) and the Three Friends of the Cold Season (pine, blossoming plum, and bamboo) all carrying a message of renewal appropriate to the beginning of the new year. Winter ends and spring arrives; yin is on the wane and yang is on the rise, heralding the rebirth of nature.”
I chose to make this month’s still life painting of Brussels sprouts for two reasons. I love that the vegetable is named for a city in the region where these paintings reached their maturity, and they are one of the only vegetables growing in my yard right now (the rabbits love them!).
See more Monthly Miniature paintings from this and past series in the Monthly Miniature gallery.